Radiologic Science for Technologists: Physics, Biology, and Protection (RADIOLOGIC SCIENCE FOR TECHNOLOGISTS: PHYS, BIOL & PROTECTION) Review

Radiologic Science for Technologists: Physics, Biology, and Protection (RADIOLOGIC SCIENCE FOR TECHNOLOGISTS: PHYS, BIOL and PROTECTION)
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This book has an excellent review for basic math, scientific notation and basic concepts of radiation science. The difficulty that I have experienced with this book is the numerous mistakes(often pointed out by the students) as well as the minimal explanations to the problems presented. This should not be an exclusive text for radiology students but is a good supplemental text because it does have a good accompanying workbook.

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Develop the skills and knowledge to make informed decisions regarding technical factors and diagnostic imaging quality with this highly detailed, vibrantly illustrated, full-color resource. Updated with the latest advances in radiologic science, this new edition addresses a broad range of radiologic disciplines, providing a strong foundation in the study and practice of radiologic physics, imaging, radiobiology, radiation protection, and more. Unique learning tools strengthen your understanding of key concepts, and challenging review exercises help you prepare for success on the ARRT certification exam and in the workplace.
Quick-reference guides printed on colored end sheets provide easy access to frequently used formulas, conversion tables, abbreviations, and more.
Special Math Formulas boxes and Important Concepts boxes emphasize key chapter content.
A full-color design highlights important information and clarifies concepts.
Objectives, key terms, outlines, introductions, and summaries for every chapter help you organize material and identify vital information.
Challenge Questions at the end of each chapter test your understanding of terms, concepts, and formulas with a variety of definition exercises, short answer questions, and calculations.

Significant chapter updates help you ensure success on the ARRT exam and keep you current with the latest practices in mammography, interventional radiology, multislice spiral computed tomography, and radiation protection.
A new chapter on The Digital Image identifies the benefits and challenges of working with digital imaging and familiarizes you with technology you'll encounter in the clinical setting.
A new Viewing the Digital Image chapter guides you through the most up-to-date viewing practices to ensure an accurate understanding.
An expanded glossary introduces important new terms common to today's practice settings.


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Sketching (5th printing): Drawing Techniques for Product Designers Review

Sketching (5th printing): Drawing Techniques for Product Designers
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You can order this directly through the publisher!! (about 60 bucks)
I have been designing products for 15 years and have purchased quite a few reference books. This would be the bible of sketch-o-rama. LOTS of different techniques and excellent breakdowns of method. Worth every penny. Ir you are a product designer get one and saddle up the Cintiq for a ride!! Giddy Yup!! Hopefully Amazon will pick this up soon.


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Sketching is an incredibly broad and practical survey of sketching techniques for product designers. It goes without saying that the book is suited for the classroom, but every design studio will also find this manual an asset, because in spite of the ascendancy of the computer, hand-drawn sketches are still a very much used.


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The Well-Tended Perennial Garden: Planting and Pruning Techniques Review

The Well-Tended Perennial Garden: Planting and Pruning Techniques
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I am exceptionally pleased that 'The Well-Tended Perennial Garden' has gotten as many favorable reviews as it has, since I suspect it's charms and offerings are just a bit more subtle than your average glossy oversized gardening book. It is essential that you pay attention to the subtitle, as this is a book specializing in teaching us about setting up and planting perennials, and less about choosing or matching or even weeding perennials (the author does not like to weed!). If you flip through the book, you may be put off by the lack of illustrations accompanying the text. While I'm not a big fan of pictures in cookbooks, unless it's discussing a specific technique, I sort of miss them in gardening books. This volume is economically done, with all the glossies in a central rotogravure section. This is ok, because the real meat is in the lessons on planting and pruning. The only place I really miss them is in the encyclopedia of perennials, which is less a true comprehensive encyclopedia than a dictionary of pruning techniques by species. The final two appendices on plant maintanence schedules and lists of plants by care technique may be worth the price of the book for serious gardiners. This is easily the most useful book I've read on perennials.

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With more than 130,000 copies sold since its original publication, The Well-Tended Perennial Garden has proven itself to be one of the most useful tools a gardener can have. Now, in this expanded edition, there's even more to learn from and enjoy. This is the first, and still the most thorough, book to detail essential practices of perennial care such as deadheading, pinching, cutting back, thinning, disbudding, and deadleafing, all of which are thoroughly explained and illustrated. More than 200 new color photographs have been added to this revised edition, showing perennials in various border situations and providing images for each of the entries in the A-to-Z encyclopedia of important perennial species. In addition, there is a new 32-page journal section, in which you can enter details, notes, and observations about the requirements and performance of perennials in your own garden. Thousands of readers have commented that The Well-Tended Perennial Garden is one of the most useful and frequently consulted books in their gardening libraries. This new, expanded edition promises to be an even more effective ally in your quest to create a beautiful, healthy, well-maintained perennial garden.

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Artifice and Design: Art and Technology in Human Experience Review

Artifice and Design: Art and Technology in Human Experience
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If you are interested in the relationship between art and technology, this book is a must read. In Allen's first book, Truth in Philosophy, he argues that truth is not fundamentally propositional, not a function of correspondence with reality. In his second book, Knowledge & Civilization, he reorients epistemology within an evolutionary and ecological framework. In this, his most recent book, he offers a fascinating analysis of the relationship between art and technology, not in opposition, but as interdependent aspects of human evolution. Highly recommended!

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"As familiar and widely appreciated works of modern technology, bridges are a good place to study the relationship between the aesthetic and the technical. Fully engaged technical design is at once aesthetic and structural. In the best work (the best design, the most well made), the look and feel of a device (its aesthetic, perceptual interface) is as important a part of the design problem as its mechanism (the interface of parts and systems). We have no idea how to make something that is merely efficient, a rational instrument blindly indifferent to how it appears. No engineer can design such a thing and none has ever been built."--from Artifice and DesignIn an intriguing book about the aesthetics of technological objects and the relationship between technical and artistic accomplishment, Barry Allen develops the philosophical implications of a series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry in technology and technics in art. This may be seen at the heart of Artifice and Design in Allen's discussion of seven bridges: he focuses at length on two New York bridges--the Hell Gate Bridge and the Bayonne Bridge--and makes use of original sources for insight into the designers' ideas about the aesthetic dimensions of their work.Allen starts from the conviction that art and technology must be treated together, as two aspects of a common, technical human nature. The topics covered in Artifice and Design are wide-ranging and interdisciplinary, drawing from evolutionary biology, cognitive psychology, and the history and anthropology of art and technology. The book concludes that it is a mistake to think of Art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental form of purposive rationality. "By segregating art and technology," Allen writes, "we divide ourselves against ourselves, casting up self-made obstacles to the ingenuity of art and technology."

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Mastering Multiple Position Sex: Mind-Blowing Lovemaking Techniques That Create Unforgettable Orgasms Review

Mastering Multiple Position Sex: Mind-Blowing Lovemaking Techniques That Create Unforgettable Orgasms
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In my college level sexuality classes, my students repeatedly ask me to recommend "a good sex book with pictures". I wanted to find one that had accurate information, a dose of education, and was sensitive about the issues different people have in their relationships. MMPS met all those criteria and more. Eric Garrison's prose is full of metaphors and amusing turns of phrase. In one of his recommendations for position changes he writes, "So let out his dingy before you invite him back to dock safely in your harbor." His words naturally make the person reading the book laugh out loud and want to poke their partner and repeat it.
The photographs are very tasteful, with no below the waist frontal nudity. Everyone has been beautifully airbrushed and glows with health. I would have liked more realistic looking couples of a variety of ages, but I have a feeling the publisher might have disagreed with me.
MMPS is an excellent book for heterosexual couples and singles of all ages who want to bring more grace, style, and imagination into their sexual repertoire. You can read all of the suggestions and details, or just look at the pictures and follow the highlights. It is several steps above the usual sexual position book (that's for sure), and has information that real people will really use to improve their lives. This book is about making genital contact more pleasurable and meaningful. It's a great gift book for newlyweds, anniversaries, or your sweetie for a special occasion.


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Mastering Multiple Position Sex takes the traditional sex manual a step further by outlining entire bedroom scenarios, from seduction to sexplay to positions, including the transitions in between. Both partners learn what to do, how to do it, and what to do next--eliminating any awkward or disappointing moments and creating the sexual tension that leads to amazing climaxes. Each of the 14 scenarios has a different theme, and features one method of foreplay, two sex positions, and the buildup to mutual pleasure. Each chapter is accompanied by instructive and eye-catching Quiver photography.

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Germinal Life: The Difference and Repetition of Deleuze Review

Germinal Life: The Difference and Repetition of Deleuze
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Germinal Life is the sequel to Keith Ansell Pearson's well-received book on Nietzsche and biophilosophy, Viroid Life, which appeared in 1997. It is also the middle-entry in what is unfolding as a series of three books examining the work of Nietzsche, Deleuze, and Bergson, the third of which will focus on the ontological concept of the `virtual' commonly found in both Bergson and Deleuze. Like any middle-child, one might expect such a volume as this to be somewhat troublesome, possessing neither the seniority of the first in the series (and the respect that goes with that) nor the relative youth and indulgence enjoyed by the latest arrival. To switch the analogy to one with literature, the novelty of the first book in any trilogy is seldom surpassed by what follows it, while the kudos of being the final entry where everything is brought to a climax is likewise unparalleled. This usually leaves the second book an intermediary role in the most anodyne sense, that of pushing the plot forward (normally by complication) and deepening the characterisation. What is uniquely philosophical about a trilogy of philosophy books may well thwart such a structural characterisation as this (especially if it is a trilogy in name only), but there is, nonetheless, evidence for this homology in Ansell Pearson's latest work: it builds on the main them of Viroid Life, namely contemporary biophilosophy and its significance for the `transhuman condition', by intensifying its interpretation of Deleuze's vitalist metaphysics (through reading Bergson in particular), while also anticipating future research into the various political implications of such a philosophy. In other words, the characterisation of Deleuze's philosophy (already a central component in Viroid Life) is deepened and the philosophical problematic of what going beyond `the human condition' truly entails is complicated. However, where Viroid Life played with themes that are fairly intoxicating (techno-theory, nihilism, viruses), used theorists who have always had a wide appeal (Nietzsche, Lyotard, Baudrillard), and did all this in a politically engaged manner, Germinal Life is temperate and measured in its progress: it provides more of the arguments necessary to support the points introduced so spectacularly in the earlier book. This is not to say that Germinal Life is dull by comparison, but rather that it is eminently philosophical (in this sense, all genuine philosophy would have to be called dull). Indeed, what is true of Ansell Pearson's work in general is also the hallmark of Deleuze's own oeuvre: beneath the apparently `flashy' surface (as Foucault once put it) there is a well thought-out metaphysics at work (for Ansell Pearson, the end of philosophy, which is to say, the end of metaphysics, is far from being upon us). It is only that the balance has shifted in this latest work: names like Baudrillard are still there (no less than Bergson and Deleuze were present in Viroid Life), only more as a background to the hard task of philosophising. Consequently, while Germinal Life may have less appeal amongst non-philosophers in cultural studies and sociology, it cannot fail to impress philosophers interested in biology, the history of Twentieth-century French thought, and the fundamentals of Deleuze's philosophy of immanence. This type of serious, philosophical engagement with Deleuze is all the more necessary now that the reception of his work in the English-speaking world is entering its second phase and moving away from basic introductions and commentaries to the appraisal of its actual value for contemporary debates. What Germinal Life admirably demonstrates is that, firstly, Deleuze's vitalist philosophy belongs to a tradition of non-mechanistic, non-teleological, and non-reductionist thought about evolution running from Bergson to Gilbert Simonden through Jacob Von Uexkull and Raymond Ruyer: but Ansell Pearson also argues for the tenability of this oft-derided approach by examining in great detail the latest research in favour of the creativity of evolution, evidence that shows us the non-hierarchical, relatively chaotic, and molecular phenomenon which is life, far removed from the unilinear, organicist, and perfectionist model normally drawn. These ideas are articulated through three chapters (bordered by an introduction and conclusion), on the theoretical relationship between Bergson and Deleuze (Chapter One), Deleuze and Darwin(ism) (Chapter Two), and creative evolution and Deleuze's `creative ethology' (Chapter Three). Clearly, the presence of Bergson looms large in these pages, and Ansell Pearson is as scholarly and expert as ever in his exposition of his thought and its influence on Deleuze. But this book is not only about the history of thought. As the title would suggest, its primary text is Deleuze's Difference and Repetition (1968), which is both the most biological and ontological of his works: as such, it is the text that constitutes - if any one book can - the bedrock of the Deleuzian philosophy. The method of transcendental empiricism was announced in Difference and Repetition and its delineation of this method brings together most of Deleuze's central ideas, be they ontological (the univocity of being, difference as the groundless ground of repetition, etc.) empirical (Deleuze's biophilosophy itself) or metaphilosophical (the shock of the new, the image of thought, and so on). Other texts from the Deleuzian corpus are invoked by Ansell Pearson when necessary, of course, especially the Logic of Sense (1969) and A Thousand Plateaus (1980) (the latter is particularly important for the third chapter). Overall, however, this focus on one text and one theme (biophilosophy) gives Germinal Life a continuous organisation: where Viroid Life was composed of a loosely integrated set of articles that, quite fittingly, dispersed its argument through the space of its chapters, Germinal Life, no less appropriately, fosters a continuity of argument over time, a germ-line of thought rather than a zig-zag line-of-escape (to recycle some of the most popular Deleuzian jargon). I recommend it wholeheartly to all those seriously interested in Deleuze, Bergson and the Philosophy of biology.

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Germinal Life is the sequel to the highly successful Viroid Life. Where Viroid Life provided a compelling reading of Nietzsche's philosophy of the human, Germinal Life is an original and groundbreaking analysis of little known and difficult theoretical aspects of the work of French philosopher Gilles Deleuze.In particular, Keith Ansell Pearson provides fresh and insightful readings of Deleuze's work on Bergson and Deleuze's most famous texts Difference and Repetition and A Thousand Plateaus. Germinal Life also provides new insights into Deleuze's relation to some of the most original thinkers of modernity, from Darwin to Freud and Nietzsche, and explores the connections between Deleuze and more recent thinkers such as Adorno and Merleau-Ponty.

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Piano Adventures: Technique And Artistry Book Level 1 Review

Piano Adventures: Technique And Artistry Book Level 1
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Good book, good material. I find, though, that the Fabers offer an at-times confusing array of products (a criticism of how they have named or organised their materials, not a criticism of the product). This book is not essential, but is good for students who are motivated and want to become more serious performers. That said, I do find myself working the lessons from this book into my other students' instruction - which is good for all of us! Wouldn't hurt to have one of these on hand even if you didn't assign it to a student (since most young students find it a bit daunting to have a theory book, lesson book, performance book, technique and artistry book). If you have other Faber materials, like the lesson book or classics book, these lessons dovetail with those. For example, the first lessons in this book deal with staccato and legato techniques, which are features of the first lessons in the lesson book and the classics in the classics book, not to mention the theory stuff in the theory book. Also included is stuff on how to hold your wrist, which is not mentioned in the other books.

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Gives students the tools for expressive performance.

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