Building the Unstructured Data Warehouse Review

Building the Unstructured Data Warehouse
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I currently work for an insurance company and we are in the process of gathering requirements to bring lots of text into our data warehouse from the customer service area. This book could not have come out at a better time. Our data warehouse contains mostly structured data and our initial approach was to bring all of the text in and treat it no differently than the more structured data such as dates and codes. We did not have the knowledge base on our team to do something different with the text.
This book greatly helped our data warehouse team in two areas. The first is in explaining terms to our managers so they understand the complexities with analyzing text. The book has a clear way of explaining concepts so that we can then use this same approach when talking with management. Phrases such as the possibility of creating a "Data Junkyard" resonated very well with management. The second area is in storage and indexing strategies. Originally our plan was to bring in all of the text from the customer service area. We got the idea from this book to bring in only the essential data and then point back to the source where the actual data lives. There are over a dozen different indexing strategies discussed in this book, many of which our database team had never considered.
They say a book meets its expectations if you can garner a couple of gems from it. This book definitely has lots of gems. A must read if you currently have a data warehouse and have the business requirements to analyze text.


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Learn essential techniques from data warehouse legend Bill Inmon on how to build the reporting environment your business needs now!
Answers for many valuable business questions hide in text. How well can your existing reporting environment extract the necessary text from email, spreadsheets, and documents, and put it in a useful format for analytics and reporting? Transforming the traditional data warehouse into an efficient unstructured data warehouse requires additional skills from the analyst, architect, designer, and developer. This book will prepare you to successfully implement an unstructured data warehouse and, through clear explanations, examples, and case studies, you will learn new techniques and tips to successfully obtain and analyze text.
Master these ten objectives:
Build an unstructured data warehouse using the 11-step approach
Integrate text and describe it in terms of homogeneity, relevance, medium, volume, and structure
Overcome challenges including blather, the Tower of Babel, and lack of natural relationships
Avoid the Data Junkyard and combat the Spider's Web
Reuse techniques perfected in the traditional data warehouse and Data Warehouse 2.0,including iterative development
Apply essential techniques for textual Extract, Transform, and Load (ETL) such as phrase recognition, stop word filtering, and synonym replacement
Design the Document Inventory system and link unstructured text to structured data
Leverage indexes for efficient text analysis and taxonomies for useful external categorization
Manage large volumes of data using advanced techniques such as backward pointers
Evaluate technology choices suitable for unstructured data processing, such as data warehouse appliances
The following outline briefly describes each chapter's content:
Chapter 1 defines unstructured data and explains why text is the main focus of this book.
Chapter 2 addresses the challenges one faces when managing unstructured data.
Chapter 3 discusses the DW 2.0 architecture, which leads into the role of the unstructured data warehouse. The unstructured data warehouse is defined and benefits are given. There are several features of the conventional data warehouse that can be leveraged for the unstructured data warehouse, including ETL processing, textual integration, and iterative development.
Chapter 4 focuses on the heart of the unstructured data warehouse: Textual Extract, Transform, and Load (ETL).
Chapter 5 describes the 11 steps required to develop the unstructured data warehouse.
Chapter 6 describes how to inventory documents for maximum analysis value, as well as link the unstructured text to structured data for even greater value.
Chapter 7 goes through each of the different types of indexes necessary to make text analysis efficient. Indexes range from simple indexes, which are fast to create and are good if the analyst really knows what needs to be analyzed before the indexing process begins, to complex combined indexes, which can be made up of any and all of the other kinds of indexes.
Chapter 8 explains taxonomies and how they can be used within the unstructured data warehouse.
Chapter 9 explains ways of coping with large amounts of unstructured data. Techniques such as keeping the unstructured data at its source and using backward pointers are discussed. The chapter explains why iterative development is so important.
Chapter 10 focuses on challenges and some technology choices that are suitable for unstructured data processing. In addition, the data warehouse appliance is discussed.
Chapters 11, 12, and 13 put all of the previously discussed techniques and approaches in context through three case studies.


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Directing, Third Edition: Film Techniques and Aesthetics (Screencraft Series) Review

Directing, Third Edition: Film Techniques and Aesthetics (Screencraft Series)
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Kudos to Mr. Rabiger for making a comprehensive manual tackling issues from script to rehearsal to mise-en-scène fundamentals to editing. He dispels the myth that film directing is that illustrious, far-away, somehow unobtainable form of "magic." Instead, he spends 500+ pages explaining technique, and offering advice that, in a subtle way, is saying "Get off your ass and make films." The point here is NOT to create a masterpiece the first time out. It's about making mistakes, picking yourself up, and trying again. And again. And again. Success in film will NEVER come overnight. He makes that point perfectly clear. He also stresses the importance of learning how and why great films remain great---hint: analysis. Learning the principles of areas like screenwriting, acting, cinematography, and editing are essential. It's like taking apart a machine, learning how it works, then re-assembling it, with a better understanding of its nature. But make sure the theory goes into practice. Otherwise, this book will be a waste of money.

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Reactionary Modernism: Technology, Culture, and Politics in Weimar and the Third Reich Review

Reactionary Modernism: Technology, Culture, and Politics in Weimar and the Third Reich
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Herf's book on "Reactionary Modernism" is important because it brings up an intellectual tradition that has been unjustly neglected since the end of WWII. Herf's "paradigm" consists of the right-wing intellectuals, Spengler, Junger, Sombart, Freyer, Schmitt and Heidegger whose main philosophical preoccupation was the impact of technology on modern civilization and the radical shift in human relations that technological progress has caused. Herf locates the peculiarity of this tradition to its love/hate relationship with modern technology. All the aforementioned thinkers realized the tremendous potential of technology but sought to integrate it within the German quasi-romantic GEIST in order to safeguard it from Bolshevism and Americanism. This analysis is complemented by a brilliant chapter on German engineers and their idea about technology and politics. Despite the original contribution of the author to the history and sociology of ideas, his analysis raises some doubts especially in relation to the chapters on Sombart and Spengler. In addition, the author neglects to point to the fact that the "suffocating" state of technology was also pointed out by Marx. Having said that, all credit to Herf who was bold enough to throw light into the "politically incorrect" aspects of German social theory and philosophy. Such attempts are useful and valuable since they put things on perspective shattering one-dimensional views about the current state of civilization. Essential reading for all those who are not afraid to search for the truth even when this is against the current!

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In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls 'reactionary modernism' found in the writings of German engineers and of the major intellectuals of the. Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler's propaganda minister, called the 'steel-like romanticism of the twentieth century'. By associating technology with the Germans, rather than the Jews, with beautiful form rather than the formlessness of the market, and with a strong state rather than a predominance of economic values and institutions, these right-wing intellectuals reconciled Germany's strength with its romantic soul and national identity.

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Adult Piano Student: Level 1 Review

Adult Piano Student: Level 1
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I find this book very easy to follow as my nephew also learns piano/casio using this book. I have no knowledge of music but I was thrilled to play piano using this book. One must complete all the levels to gain some proficiency. I will recommend this book to all those people who want to play casio or piano.

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The ADULT PIANO STUDENT provides the older beginner student with materials that will satisfy his/her musical needs while developing a pianistic technic. Book 1, from the beginning presents the fundamentals of music through the use of melodies in major keys harmonized with accompanying chords. For the older beginner who has had some previous keyboard training, the first book will probably be a refresher. Forthe beginner who has had no previous training, this first book moves slowly so that he/she will develop a sound keyboard technic before advancing into Book II. This method is for both individual and group instruction with some materials arranged for ensemble practice.

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Michael Aaron Piano Course / Lesson / Primer Review

Michael Aaron Piano Course / Lesson / Primer
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This book is excellent for young beginning pianists. It takes a slow, step-by-step process to teach notes on the piano, melody, and note names and beats. As a piano teacher who mainly deals with beginners, I love this book and would highly recommend it to anyone teaching children how to play the piano.

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The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

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David Carr Glover Method for Piano: Lessons, Primer" Review

David Carr Glover Method for Piano: Lessons, Primer
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I grew up using David Carr Glover books when I took piano lessons myself. I still love them for the simplicity and ease of use. I like the way this method book does NOT start on the black keys. It starts right in with real notes in middle C position. This way the students learn the notes and what they look like on the staff. Other methods use the black keys and finger numbers--children end up relying on the finger numbers instead of on what NOTE they're supposed to be playing.
I highly recommend the Glover method--I would also recommend if you use this book to add the Primer level Technic, Performance and Theory books for a well-rounded experience.

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A sound approach to learning the piano, with emphasis on reading music through interval and note recognition, clapping, singing and counting aloud for proper rhythmical performance, and on sight reading and ear training. Includes full-color illustrations.

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Piano Literature of the 17th, 18th and 19th Centuries (Books 3) (Frances Clark Library for Piano Students) Review

Piano Literature of the 17th, 18th and 19th Centuries (Books 3) (Frances Clark Library for Piano Students)
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This book offers a nice selection of classical songs, along with a small bio of each composer featured, and a glossary of terms commonly found in piano music. I have really enjoyed learning and playing the songs in the book and they have inspired me to seek out other works by some of the composers as well. Each piece is plenty challenging to give something to work toward, while at the same time being fun and rewarding to play. Great book for early intermediate pianists.

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This series surveys three centuries of keyboard music, including representative shorter works by: Bach, Handel, Scarlatti, C.P.E. Bach, Haydn, Clementi, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Schumann, Tchaikovsky, Grieg, and MacDowell. The student is helped to achieve stylistically correct performance through editing based on original sources, clear interpretation of ornaments, a glossary of musical terms and symbols for each book, and biographical material on composers, relating them to their period in music history.

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On Studying Singing Review

On Studying Singing
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As a young college music student, Kagen's book was an excellent starting point in my vocal study. I would recommend giving this book to read to anyone considering studying voice professionally. Not only does Kagen write realistically about who can and cannot learn how to sing like an opera diva, but he goes through and breaks down into steps the process of learning a song or a difficult florid passage. Though he can be rather repetitive (this is the reason for three stars) and hold to much of the "old" in vocal pedagogy, his ideas are an ideal starting place for further discussion in both the study and teaching of voice.

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Pencil Drawing Techniques Review

Pencil Drawing Techniques
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Hi all. I draw as a hobby and have been drawing since I was a about 10. I took drawing classes before, but when I look at my previous artwork, they really don't have the "realism" that I wanted, i.e. they look too much like cartoons. I wandered around and tried looking for some books to teach me how to obtained that photo-realistic quality with a pencil.
Flipping through this book, my jaw dropped in amazement at the examples in this book. Near the end, the illustrations of zoo animals (tigers, horses, etc) were so life-like! The artist really know how to shade. I instantly brought the book.
Let me tell you, this book is very complex and loaded with information. There are lots of text for an art book. First, the book goes over the basics of shapes and different shades of pencil lead (from hard 6H to very soft 8B, the "#2 pencil" is near the middle). Then we go over shading. The book is primarily focusing on different shading and strokes techniques in order to get that "life-like" realism in your drawing. In my personal experience, trying to obtain that level takes many hours and many practice. If you are the type who gives up easily, then this book isn't for you. Nobody said drawing is easy. Or, if you are only interested in drawing nice line-arts (and letting a computer do the rest), then this book is NOT for you as well. However, if you want to draw to the highest realism with just a pencil, then this book is worth considering.
I should also mention that a small chapter is devoted to color pencils (whereas the rest, or 90% of the book, is on graphite pencil), but I haven't bother with color yet.

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Here is a really good book for the artist who wants to develop his or her pencil drawing abilities, whether it's to improve your preliminary sketch work, or to create beautiful pencil drawings complete in their own right. Pencil Drawing Techniques brings together six of today's best artists, all of whom are incredibly fine instructors as well.The artists show you how to develop your skill and ability in handling pencil technique. Ferdinand Petrie shows you how to handle pencils and produce a controlled variety of lines, values, and textures. Then he shows you exactly how to use these techniques to draw landscapes in a range of styles and compositions.Rudy De Reyna explains pencil basics, and explores perspective, size relationships, form, and structure. Douglas grave teaches you how to begin drawing portraits by building a drawing step-by-step. Norman Dams and Joe Singer demonstrate how you can use the pencil to produce spectacular drawings of animals. John Blockley and Richard Bolton show you how pencil drawings can capture the essence of a subject and help you work out a plan for painting it. Finally, Bet Borgeson teaches you all the secrets of colored pencil work and demonstrates a whole new dimension. The book is divided into seven sections: how to handle a pencil, fundamentals of drawing, drawing landscapes, drawing portraits, drawing animals, drawing for watercolors, and handling color pencils. The copious illustrations show in detail how the artists use their techniques. For the artist who uses the pencil, Pencil Drawing Techniques is an an excellent instructional book of ideas for using the pencil creatively.

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Escape from Evil Review

Escape from Evil
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In our dark time, where ethno-nationalism and militant fundamentalism have lead to hatred and genocide, we are all what Robert J. Lifton calls "survivors (p. 235, Lifton, R. J. "The Future of Immortality", Basic Books, Inc., Publisher, New York, NY, 1987.)." As "survivors" we cannot help but search for an explanation of the violence and destruction that have plagued our century. In his book "Escape from Evil", Ernest Becker proposes a very convincing, and often harrowing, explanation of this destruction. He writes,
"Since men must now hold for dear life onto the self-transcending meanings of the society in which they live, onto the immortality symbols which guarentee them indefinite duration of some kind, a new kind of instability and anxiety are created. And this anxiety is precisely what spills over into the affairs of men. In seeking to avoid evil, man is responsible for bringing more evil into the world than organisms could ever do merely by excercising their digestive tracts. It is man's ingenuity, rather than his animal nature, that has given his fellow creatures such a bitter earthly fate (pg. 5, Becker)."
From this point, Becker attempts to define how man's ingenuity, hopes, and desires have lead to an incredible amount of trouble in the world. Becker is at once cultural analysist, religious scholar, and social psychologist. "Escape from Evil" is an amazing inquiry, exploring the frightening needs of diverse social groups, looking into the deep inner fears of man, explaining Hitler and the origin of guilt, delving into the meaning of culture and the origins of inequality. These are not small subjects and they will challenge the ideas of any reader.
His writing is precise and he integrates important thinkers into his work with the greatest of ease. Ernest Becker is a must read, and "Escape from Evil" is a good place to start. It will deconstruct the mind and then rebuild it again, leaving the reader feeling both enlightened and confused.

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Sevcik Violin Studies - Opus 1, Part 1: School of Violin Technique (Music Sales America) Review

Sevcik Violin Studies - Opus 1, Part 1: School of Violin Technique (Music Sales America)
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This book is extremely helpful with my learning the violin. I love it. It arrived quickly and in perfect shape.

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Since 1901, Otakar Sevcik's works have formed the basis of many schools of string playing around the world. Thousands of players continue to find Sevcik an invaluable aid to technical development. In practicing Sevcik, as in playing scales, etudes, or pieces there are always four main headings to consider: purity of intonation, evenness of tone, exactness of rhythm and physical freedom and ease. Opus 1 Part 1 focuses on exercises in the first position.

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Alfred's Basic Guitar Method - Complete (Book & CD's) (Alfred's Basic Guitar Library) Review

Alfred's Basic Guitar Method - Complete (Book and CD's) (Alfred's Basic Guitar Library)
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Follow this Method! "Alfred's Basic Guitar Method" is a system to make you a real musician. Its' exercises, music and theory leads you naturally and comfortably to deeper levels of musicianship and enjoyment. That must be why this book has been so popular for over 50 years. It has also been updated to include more current tunes.

Want to teach yourself? This Method combines physical and mental exercises with the fun of music-making as the goal:
Physically: It starts with illustrations of good guitar-playing posture, seated and standing. Also shown are correct hand and finger shapes and arm positions. The exercises are comfortably paced making learning enjoyable. You locate notes, one-at-a-time on one string-at-a-time while the hands and fingers are gradually strengthened and made flexible. Soon you will be using finger positions or "pattern shapes" on the fret board to build chords as the strings are learned. Your "mini-athlete" hand and finger muscles are gradually strengthened and flexed for stamina, agility and building "muscle memory."
Mentally: Standard music notation, dynamics (tempo, rhythm, loudness, etc.) and theory are taught in the book. These subjects are revealed and explained as you progress through the exercises. The same is true of chord-building as notes on the various strings are learned and played together. Without realizing it, music understanding and techniques are progressively learned by completing the exercises and playing the enjoyable tunes. Oh, by the way, the material is presented clearly with lots of "white space" so it's easy to overlook very important information. Be sure to really study each page and not just the exercise before moving on. Suddenly you are reading and understanding music!
A word about chords. Many people start by learning full guitar chords by rote. To a beginner they are painful and awkward finger patterns on the fretboard, without gaining a real understanding of the note relationships. Also, many guitar books separate the teaching of standard notation from teaching chords. As you can see from what has been said above, this Method presents a more gradual and integrated system. Muscles are allowed to adapt and the mind to "see" the logic in the note arrangements.
There is a payoff! Building chords from notes as they are being learned enables you to play fully accompanied tunes on the guitar. This is the full sound one hears on a piano, also a self-accompanying instrument.
Take this musical journey and have fun!

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Book & CD's. Recognized for over 50 years as the best-paced and most comprehensive guitar method available, Alfred's Basic Guitar Method has introduced over 3 million beginners to the joy of playing guitar. This updated and expanded edition features a new layout, making it easier to read and quicker to learn. Now included are blues, country, folk, jazz, and rock music styles, plus more pop songs!Learning to play has never been easier or more fun than with Alfred s Basic Guitar Method the first and best choice for today s beginning guitar students. This book combines all of the essential instructional material from Books 1, 2 and 3 of Alfred's Basic Guitar Method and is a complete course.Written in standard notation, it guides guitarists through the basics of playing the guitar using rock, blues, country and folk music. In addition, techniques such as bending, sliding, hammer-on and pull-off are included.

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Alfred's Basic Piano Library: Prep Course Lesson Book Level B Review

Alfred's Basic Piano Library: Prep Course Lesson Book Level B
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My son has started playing the piano just 3 weeks ago.. When I was young, the piano book was hard and difficult but this book is easy. My son really enjoys palying the piano by himself..^^
I am satisfied this book.

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Alfred's Basic Prep Course, Levels A through F, was written to answer a demand for a course of piano study designed specifically for students who are five years old and up. This course offers a careful introduction of fundamentals, music that fits comfortably under the young student's normal hand span, plus constant reinforcement--all leading to results beyond those generated by other piano methods. After Lesson Book B, the student may progress to Prep Course, Lesson Book C or choose to go directly into the faster pacedLevel 1B of Alfred's Basic Piano Library. The complete Prep Course consists of six books (Levels A through F).

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First LEGO League: The Unofficial Guide Review

First LEGO League: The Unofficial Guide
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Oh how I WISH I had this book three years ago when I started my team. It covers just about everything you need to know about starting and keeping a First LEGO League team. From basic teamwork strategies to building and programming tips and tricks, this book has it all. It is the perfect compliment to the official coach's guide provided by FLL. It's informative and easy to read without being either dumbed-down or over your head.
I highly recommend this book and I'm going to keep my copy table-side every season. Thanks James and Jonathan for putting together such a great resource!

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FIRST LEGO League (FLL) is an international program for kids ages 9 to 14 that combines a hands-on, interactive robotics program and research presentation with a sports-like atmosphere. Authors James Floyd Kelly and Jonathan Daudelin-both participants in numerous FIRST LEGO League competitions-have teamed up to bring coaches, teachers, parents, and students an all-in-one guide to FLL.

Written for both rookie and experienced teams, FIRST LEGO League: The Unofficial Guide includes in-depth coverage of topics like team formation and organization, robot building and programming, and the basics of getting involved with FLL. Before the authors delve into the specifics of robot and team building, they reveal the fascinating history of the FIRST organization and the sometimes puzzling structure of the FLL competition. Using a combination of real-life stories and candid commentary from actual FLL teams, as well as recollections of their own experiences, they offer an abundance of helpful guidance and dependable building and programming examples.

FIRST LEGO League: The Unofficial Guide explores the complex workings and structure of the FLL competition, including its four key components: Robot Game, Technical Interview, Project, and Teamwork. You'll learn how to:

Organize, recruit, and manage a team
Find equipment, mentors, and funding
Design, build, and program winning robots
Tackle each of the four FLL components-from Robot Game to Teamwork
Use strategies and techniques from FLL masters to increase your scores

No matter what your role in the FLL competition, FIRST LEGO League: The Unofficial Guide will make you a better competitor, builder, designer, and team member. The only ingredient you need to add is your competitive spirit!


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Michael Aaron Piano Course: Lessons Grade 1 Review

Michael Aaron Piano Course: Lessons Grade 1
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I'm an adult piano student, who started learning with some basic knowledge already under my belt (How to read some notes, how to count time, what sharps and flats are). I found this book the perfect beginning point. Each song challenges me and teaches me new principles. After playing the songs in this book, I find the songs in other lesson books easy to play from sight. Students might also want to pick up an easier book to play for fun and relaxation, as every song in this book will challenge your abilities.
A few notes:
* I would not recommend this book to someone who is starting with no knowledge whatsoever. The Michael Aaron Primer might be more appropriate, though I haven't tried it.
* I would not recommend this book to someone trying to teach themselves. The book is intended for use with a teacher who can explain some of the techniques. (You should be learning from a teacher anyway. I don't recommend teaching yourself piano; you'll learn to do many things wrong.)
* Anyone using this book should also be using the Performance, Technic, and Theory books for your grade level.
Finally, I have deducted one star for the following reasons:
* Some of the fingerings they recommend are funky. My teacher has had to recommend better fingerings several times, with great results.
* The layout and graphics are very outdated, including a potentially offensive drawing to go with the song "Chopstick Revels".

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The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

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Techniques of Crime Scene Investigation, Seventh Edition Review

Techniques of Crime Scene Investigation, Seventh Edition
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I teach crime scene techniques to police officers and this book is a mainstay for that instruction. This is the first text book a new CSI should read. If you are an old hand in crime scene you will still learn from Barry Fisher. This is not an old dry text book. Each chapter has real cases for reference. I found the book to be very interesting and it is required reading for all new CSIs in my agency (Tarrant Co. Sheriff's Office, Ft. Worth Texas). This is also one of the required reading texts for the level one crime scene certification examination of the International Association for Identification.

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This latest edition of Techniques of Crime Scene Investigation examines concepts, field-tested techniques and procedures, and technical information concerning crime scene investigation. It has been widely adopted by police academies, community colleges, and universities and is recommended for preparation for certification exams. Written in an easy-to-read style, this comprehensive text offers up-to-date technical expertise that the author has developed over many years in law enforcement. Includes check-off lists, case studies, and 16 pages of full-color illustrated photos. Also included is an appendix on equipment for crime scene investigations.

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Does Technology Drive History? The Dilemma of Technological Determinism Review

Does Technology Drive History The Dilemma of Technological Determinism
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This collection of essays purportedly addresses the philosophical theory of technological determinism - the belief that human behavior and culture is driven by technology and its unintended (or intended) consequences. Of course, the theory has many nuances and permutations, which are explored in depth by the various writers here. The book starts off with fine introductions to the topic, particularly the opening essay by Merritt Roe Smith and the seminal "Do Machines Make History?" by Robert Heilbroner. Unfortunately the book then descends into standard turgid theoretical obfuscations of dubious usefulness to anyone other than each professor's immediate colleagues. Examples include the standard academic exercise of reinterpreting the ideas of earlier thinkers and calling the results a new theory (Bruce Bimber, Thomas Mina), or forcing existing theories together and taking credit for the resulting "breakthrough" (Rosalind Williams, Leo Marx). Another running issue in this book is a lack of distinction among technology, progress, and modernity, as can be seen in the otherwise fascinating historical report by Michael L. Smith. And as usual for academic books that collect essays by various professors, everybody repeats the basic tenets of the theory at issue before embarking on their particular interpretation or example of interest. One benefit of this book is that the editors (both in their introduction and through the essay selection process) do not try to nail down a particular position on the many nuances of technological determinism, which is healthy for purposes of discussion. Regardless, little is accomplished by the writers except esoteric reinterpretations and feeble grasps for significance. [~doomsdayer520~]

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These thirteen essays explore a crucial historical question that has beennotoriously hard to pin down: To what extent, and by what means, does a society'stechnology determine its political, social, economic, and cultural forms?Karl Marxlaunched the modern debate on determinism with his provocative remark that "thehand-mill gives you society with the feudal lord; the steam-mill, society with theindustrial capitalist," and a classic article by Robert Heilbroner (reprinted here)renewed the debate within the context of the history of technology. This bookclarifies the debate and carries it forward.Marx's position has become embedded inour culture, in the form of constant reminders as to how our fast-changingtechnologies will alter our lives. Yet historians who have looked closely at wheretechnologies really come from generally support the proposition that technologiesare not autonomous but are social products, susceptible to democratic controls. Theissue is crucial for democratic theory. These essays tackle it head-on, offering adeep look at all the shadings of determinism and assessing determinist models in awide variety of historical contexts.Contributors : Bruce Bimber. Richard W. Bulliet.Robert L. Heilbroner. Thomas P. Hughes. Leo Marx. Thomas J. Misa. Peter C. Perdue.Philip Scranton. Merritt Roe Smith. Michael L. Smith. John M. Staudenmaier. RosalindWilliams.

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