Showing posts with label illustrator. Show all posts
Showing posts with label illustrator. Show all posts

Digital Drawing for Landscape Architecture: Contemporary Techniques and Tools for Digital Representation in Site Design Review

Digital Drawing for Landscape Architecture: Contemporary Techniques and Tools for Digital Representation in Site Design
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Bradley Cantrell and Wes Michaels have authored a concise and beautifully illustrated book. They know their stuff and it shows. The book presents a detailed overview of digital methods, graphics and tools used in landscape architecture and related design professions. The clearly written content encompasses varying software and graphic. The images are excellent representatives of the graphics and methods the book's content advocates.
The book focuses on the creation of graphics type and not just on specific graphic programs. The authors took into account the flexibility in which many designers create representative graphics. This smart approach allows the book to center on the creation of rich representations of the landscape, but still delve in to the specifics of the programs used by design students and professionals.
Each chapter and section demonstrates varying techniques. From using Photoshop to create sections and plan graphics, to scaling and working with aerials. The authors demonstrate how to integrate CAD with Adobe Illustrator in an easy but important workflow. The book reviews a variety of 3D modeling programs including 3D Max and SketchUp and the type of graphics these programs can generate. One favorite chapter includes a step-by-step tutorial on creating Photoshop Perspective Collage. And this is just a sampling of what the book contains. The comprehensive nature of the book is phenomenal.
The authors move the discussion beyond just `how to' and discuss digital theory. Of particular note is a dialogue on how current digital methods are directly informed by the tradition of ink, pen and paper which was the backbone of graphic representation for decades. Framing the book's methods in the long tradition of hand-drawn illustrations emphasizes why design practitioners must read and use this book; it's a milestone in bringing the design community up to date to the level that design should be represented and practiced.
The book's approach and theories on digital presentation will elevate professionals and students practicing landscape architecture and related fields.
Daniel Tal, author of Google SketchUp for Site Design: A guide to Modeling Site Plans, Terrain and Architecture

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For a hundred years, pencil, pen, markers, and watercolor have been the principal tools of representation for landscape architects and urban planners. Today, those hand-powered aids have been replaced by computers and Computer-aided design (CAD). Digital Drawing for Landscape Architects bridges the gap between the traditional analog and the new digital tools and shows you how to apply timeless concepts of representation to enhance your design work in digital media.
Building on the tried-and-true principles of analog representation, Digital Drawing for Landscape Architecture explores specific techniques for creating landscape design digitally. It explains the similarities and differences between analog and digital rendering, and then walks you through the steps of creating digitally rendered plans, perspectives, and diagrams. You'll explore:
Computing Basics

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Notes on the Underground: An Essay on Technology, Society, and the Imagination Review

Notes on the Underground: An Essay on Technology, Society, and the Imagination
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I tried to find a simple and concise description of what the book is about, but I cannot better Rosalind Williams own description at the start of Chapter One. "What are the consequences when human beings dwell in an environment that is predominantly built rather than given? This book seeks to answer that question. It explores the psychological, social and political implications of living in a technological world".
Rosalind Williams has delivered an insightful and extremely readable book. This book could easily have been a dry academic text that did little more than bring together a huge set of disconnected references from the last 150+ years. Instead of this, the author has contructed an engaging narrative that does justice to the extensive research and insightful analysis which flows through the book.
A must for anyone interested in technology and its impact of society and the individual.

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With a new afterword by the author The underground has always played a prominent role in human imaginings, both as a place of refuge and as a source of fear. The late nineteenth century saw a new fascination with the underground as Western societies tried to cope with the pervasive changes of a new social and technological order. In Notes on the Underground, Rosalind Williams takes us inside that critical historical moment, giving equal coverage to actual and imaginary undergrounds. She looks at the real-life invasions of the underground that occurred as modern urban infrastructures of sewers and subways were laid, and at the simultaneous archaeological excavations that were unearthing both human history and the planet's deep past. She also examines the subterranean stories of Verne, Wells, Forster, Hugo, Bulwer-Lytton, and other writers who proposed alternative visions of the coming technological civilization. Williams argues that these imagined and real underground environments provide models of human life in a world dominated by human presence and offer a prophetic look at today's technology-dominated society.In a new afterword written for this edition, Williams points out that her book traces the emergence in the nineteenth century of what we would now call an environmental consciousness--an awareness that there will be consequences when humans live in a sealed, finite environment. Today we are more aware than ever of our limited biosphere and how vulnerable it is. Notes on the Underground, now even more than when it first appeared, offers a guide to the human, cultural, and technical consequences of what Williams calls "the human empire on earth."

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