Showing posts with label recording. Show all posts
Showing posts with label recording. Show all posts

Professional Microphone Techniques (Mix Pro Audio Series) Review

Professional Microphone Techniques (Mix Pro Audio Series)
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Who would think a book on mics would be a page-turner? But this one was. It has a clear and unaffected style. The book covers both professional and affordable (my kind) mics, describing the attributes, pros and cons of different types, and techniques of placement to get a desired effect. The CD that comes with it demonstrates different mics and mic placements on a number of different instruments. A valuable reference for anybody who records.

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This book, by the author of industry bestseller "Modern Recording Techniques", focuses on microphone usage for dozens of different instruments as well as vocals, amplifiers, Leslie cabinets and much more! Accompanied by an audio CD that allows you to hear the different effects of microphone placement techniques in real time for a full understanding of how to get the best recordings from any type of microphone!

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Mixing, Recording, and Producing Techniques of the Pros: Insights on Recording Audio for Music, Video, Film, and Games Review

Mixing, Recording, and Producing Techniques of the Pros: Insights on Recording Audio for Music, Video, Film, and Games
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This large book is a thing of joy. If you have any interest at all in recorded music, and you wonder how a few people playing in a room can make a record that will move millions of people, you will relish Rick Clark's book. And if you're a serious hobbyist or seasoned professional, you will appreciate all the detail about microphones, consoles, outboard gear and how to get the most out of them.
Clark's bio is enlightening - he grew up in Memphis listening to Sun 45s, Southern soul music, The Beatles and The Kinks. He played in bands and hung around the legendary Ardent studio in his hometown. As he puts it, he "kind of fell into writing in the '80s", however he quickly chalked up articles in numerous top publications like Rolling Stone, Billboard and, crucially, Mix Magazine. This led to him interviewing many people involved in recording - not just producers and engineers but also the musicians themselves. He had the foresight to transcribe the entire interviews and thus has amassed a goldmine of insights into the minds of these experts.
The book is divided into chapters such as "Bass", "Guitar", "Vocals", "Mixing" etc but also has more reflective chapters such as "Creative Production and Recording" and "Production Philosophy". Each chapter features extensive interviews with experts in the field, and every interview is densely packed with insight.
There's a short bio for each of the hundred or so interviewees listening their experience and who they've worked with. They include legendary producers such as Tony Visconti, Roy Thomas Baker and Jim Dickinson, and notable musicians such as Jerry Douglas, Leland Sklar and Wayne Jackson. Also contributing are many engineers and other technical experts who may not be household names but have been present at the birth of many great recordings.
There are countless pithy epigrams scattered throughout this volume, but I'll choose a representative one from producer Norbert Putnam, who played bass on many Elvis Presley sessions: "When you have a purveyor of emotion, like Al Green or Elvis Presley, then you have magic. That is the beginning and the end of it. It is never the equipment. It is not the SSL, Neve, Mackie or Trident console. It is not the snare drum or the reverb... It really is the artist."

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Veteran music journalist Rick Clark conducted hundreds of revealing interviews with some of the biggest names in the industry to create this newly expanded and refined edition of this extraordinary book. Tony Visconti, Phil Ramone, Richard Dodd, Jim Scott, and David Kershenbaum are just a few of the 115 contributors who share their special studio practices, tips, and anecdotes. A truly thorough look at the recording world, this in-depth collection of interviews with recording, mixing, and producing legends covers everything from recording strings and horn sections to using creative production techniques on the latest musical styles. Candid interviews with expert industry pros will enlighten you with the knowledge that has led the featured producers, engineers, and composers to huge industry successes and millions of record sales. This useful and entertaining information is organized by subject matter rather than by expert, so you can gain advice from several professionals on the specific topic that interests you. MIXING, RECORDING, AND PRODUCING TECHNIQUES OF THE PROS, SECOND EDITION is perfect for any producer or engineer who wants the advice, opinions, tricks, and techniques used by the leading experts in the field. This completely updated edition features many new interviews, fresh content from some of the previous edition's interviews, and a new section on live sound reinforcement.

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Practical Recording Techniques, Fourth Edition: The step-by-step approach to professional audio recording Review

Practical Recording Techniques, Fourth Edition: The step-by-step approach to professional audio recording
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For what it is, this book does a good job of introducing newbies to audio production. It claims to be for intermediate recordists too, but that is a stretch. If you have any experience recording anything at all, this book will probably not be very helpful. There is a section near the end that mentions some newer microphone arrays for recording in surround. To me this seems too advanced for beginners, but does not offer enough detail for veterans to really implement. I was disappointed in this book for being so utterly basic, but that could be terrific for other readers who need to be walked through the process setp-by-step.

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Basic Mixing Techniques (Sound on Sound) Review

Basic Mixing Techniques (Sound on Sound)
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Get this book! This little book (literally - it's a little bigger than a palm pilot) is five chapters packed with 175 pages, including the glossary. It is worth more than books twice its size, with twice the content. I started in music doing rap, hiphop and electronica so I got my experience from doing talent shows, contests, and parties and later in college playing gigs in a band, and later going totally digital on a PC. I never went to school for this stuff, so what I wanted was some indepth tips and techniques to polish my sound. Most other books are extremely intellectual and contain very little practical-wise for someone who already has some experience. You'll learn all the correct words and terminology for what you've already done from experience. Now you can take a written test and pass with an A. But it won't help you recording wise. Also typical books will only give advice on your standard pop or rock recordings. I'm doing techno which pretty much goes by its own rules. No reverb on the bass track? Yeah right! This book gives you practical techniques, tips and advice on a whole lot of stuff!! Effects techniques, recording vocals, balance, mix automation and little tricks for getting around little shortcomings your gear may have. And it gives you alternatives for different styles of music. First I was a little nervous when I saw how little it was. And it came a big 'ole box. I was like, "oh no, I wasted my money again." But believe me this book delievers!! It gives new meaning to "put it in da mix!"

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In music recording, the quality of a mix is every bit as important as the quality of the performance, and potential hit singles have been ruined by poor mixing. This helpful guide blows the lid off the secrets of mixing and explains in easy and illustrated terms how you can create a professional-quality recording with even the most basic equipment.

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Modern Recording Techniques, Sixth Edition Review

Modern Recording Techniques, Sixth Edition
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Modern? As a reprint this book is getting pretty old now and would really benefit from some new material. I'm also not sure who the audience is meant to be. It's too generalised to appeal to someone who understands the fundamentals of recording and yet would probably scare off someone who is relatively new to the subject.
The format is very text bookish and is let down by the lack of solid tips, techniques and examples that would have bought this otherwise ordinary book to life.
Unless you have the luxury of already owning all the other recording books advertised on Amazon I would shunt this one further down the list.

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Modern Recording Techniques, Seventh Edition Review

Modern Recording Techniques, Seventh Edition
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Pros:
Not sure how much the 7th edition differs from previous editions, but I feel this book is a solid reference for beginner/intermediate recording. It touches on every part of the recording process and has a lot of broad info (though some parts are way more useful than others).
There are some useful bits throughout the book that helped me get more mileage from my recording space and processes. The sections about setting up monitors in a room (with example pics), approaches to absorbing/diffusing sound and standing waves, and the general tips on working with computer-based DAW's were great. There is also plenty of useful info on sitting instruments in a mix based on frequency, panning, and reverberation.
Cons:
More than $40 is too much for a recording reference book that is not even hardcover.
The scope is so large that it does not dive too deep into any one facet of recording. To the author's credit he encourages you to use the web for more in-depth material (but I wanted that material in a book).
The book is verbose. All the practical and useful tips are buried between pages, and there is no decent summary of the really important items at the start or end of each chapter, which is frustrating for note-takers. Blue text is used to highlight special ideas or points on each page, but it is abused so much that the emphasis fails. 35% of the words could have been cut from the book while still retaining the same ideas and principles.
A more concise version of the most important recording principles can be found in McLan's 1997 "Using Your Portable Studio" which is old, but presents the same amount of timeless practical recording knowledge in far fewer pages.
Other thoughts:
Would have gotten 4-5 stars if it was more condensed, and spent more pages on real-world recording scenarios and applications (like specific trade-secrets from big-name engineers, or case studies would have been great additions).
I have been looking for a book containing real-world step-by-step recording practices and processes written like a recipe book, but I have discovered that such a narrow approach is better suited to a website. So, for more advanced and specific how-to's on techniques in mastering, mixing, midi sequencing, and the like, take the author's advice and search the web.

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We have entered an exciting age in audio production. Conventional limitations in recording have subsided or vanished entirely, making it possible to create and record your own music in ways that few ever dreamed possible. This expanded, up-to-date edition of Modern Recording Techniques can help guide you through the process of creating, understanding and mastering the professional and project studio. The tips, tricks, and tools in this best-selling book will enable you to record music in new and innovative ways that'll help you express your talents to their fullest potential. This definitive guide to audio covers the latest audio technologies, and includes expanded and enhanced sections on the Digital Audio Workstation (DAW), plug-ins, looping, groove tools, studio techniques, surround sound, mastering and more. Accompanied by an interactive companion website (www.modrec.com) featuring a searchable audio glossary, this dynamite book/website combination leaves no recording question unanswered, while offering you the chance to share ideas, get tips, and seek out advice when and where you need it.With Modern Recording Techniques, 7th ed., you can: * Explore the tools for getting better results in both the professional and project recording studio * Gain in-depth insights into digital audio technology, the digital audio workstation (DAW), surround sound production, electronic music and MIDI, synchronization, analog and digital console technology, mixing, console automation and more * Master the basics of dynamics, noise reduction, and other forms of signal processing in both the analog and the digital domains * Learn practical microphone placement techniques, monitoring fundamentals, CD mastering and important tips on getting your music to market * Check out new developments in new media, desktop audio and music technologies for the Web
*THE go to resource providing tips and techniques for getting the best results from music recording, be prepared with the know how required when working in the recording studio*Includes over 500 technical diagrams, screenshots and product illustrations, makes information accessible and aids understanding*Companion website provides tutorials and video content, with practical examples of the principals- clarifying how they work

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Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic Review

Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic
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Let's face it...I'm just a hobby musician. A guy in his mid-30's who has tinkered with music most of his adult life. I've played both as a solo artist and with bands. I've also been fortunate enough to spend time in actual recording studios with true professionals. None of this qualifies me as an expert...but I do have a certain level of familiarity on the subject.
I purchased this mic to supplement my home studio. I was hoping to get a little better sound than my usual stable of dynamic mics provide. I think I got pretty lucky with this purchase - it's my understanding that in this particular price range, you shouldn't expect a whole lot. I mean, it's just a microphone, right?
What I will say is that I was certainly satisfied with my purchase. I've used this microphone in conjunction with a tube preamp on a handful of recordings with great success. I bought this with the intention of using it for vocals, but I've found that I actually prefer it to record my acoustic guitar - this microphone picks up all the sound that I'm looking for from my acoustic - it's the nice, mellow, and full bodied sound that I hear when I'm playing, but that I was never able to capture before. In terms of its originally intended use, I felt is was only a slight improvement over the SM58 that I typically used for vocals - however, I wouldn't put too much stock into my assessment, as vocals are not one of my strengths when it comes to music (let's face it, autotune was created for a reason, right?)
Granted - everyone is going to have different opinions of this product, and I happen to think it works great for those of us on a budget. In terms of value - it is a great product for a fantastic price. I liked this microphone so much, I plan on buying at least one more.



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The price/performance standard in side-address studio condenser microphone technology, Audio Technica's AT2020 studio mic has a low-mass diaphragm that is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high sound pressure levels (SPLs) with ease.
Ideal for project/home-studio applications, the cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. The pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
The AT2020 is intended for use in applications where remote power is available. It requires 48V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel and CP8506 four-channel phantom power supplies.
Specifications
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 20-20,000 Hz
Open Circuit Sensitivity: –37 dB (14.1 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D.
Noise: 20 dB SPL
Dynamic Range (typical): 124 dB, 1 kHz at Max SPL
Signal-To-Noise Ratio: 74 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 48V DC, 2 mA typical
Weight: 12.1 ounces
Dimensions: 6.38 inches long, 2.05-inch maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories Includes: Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
Audio-Technica Case Style: R7


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Audio-Technica ATHM40FS Precision Studio Headphones Review

Audio-Technica ATHM40FS Precision Studio Headphones
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This review is for:
Audio Technica ATHM40FS Precision StudioPhones
First of all right out of the package they look expensive. They do not look cheaply made and the matte black coloring and shape of these headphones is pleasing to the eye.
From the top down:
The headband is approximately two inches wide and covered even on the top with some type of soft to the touch material. The underside of the headband is very well padded and the padding extends almost down to the hinge where the earpieces are connected to the headpiece. The padding is nice and squishy, but not so much that you can feel the hardness underneath. The thickness of the padding is approximately 3/4 of an inch thick.
These earphones are very light, I've been wearing them all day with no neck fatigue, or headache from too much pressure around the ears.
The tension of the headband is enough to hold the earphones on my head, but they rest comfortably without pressure around my ears.
The hinges where the earpieces meet the body are made from some type of heavy duty, hard plastic(I don't know the technical name for it). The hinges are nice and thick. They look well made and able to take a lot of use.
The earpieces:
The shape is sort of an elongated oval. They are lined all the way around by padding that is approximately 3/4 of an inch thick, and one inch wide, and they're covered by the same velvety soft material as the headband padding. This padding feels wonderful against the skin. The padding that touches the skin is flattened to fit against the head better, giving these headphones excellent sound squelching qualities.
The inside of each earpiece is oval in shape and the inside depth is between 1/2 and inch and 3/4 of an inch. The inside wells that hold the speakers are covered with some type of soft fabric as well.
The holes under the fabric where the speakers are located are shifted slightly toward the back side of the ear pieces.
The outside housing is a some type of matte black high density plastic, and the R and L on each one is molded into the plastic rather than being painted on so that it won't rub off eventually.
The hinges:
Move smoothly and easily. There are two sets of them. One allows the earpieces to be rotated out when they're being worn, so outside noises or conversation can be heard without taking them completely off. They're made of matte black high density plastic also. They're nice and thick, and the part that attaches the earpieces to the headband meets the headband smoothly. If you didn't know the seam was there, you'd probably miss it. Each earpiece can be rotated out to the front approximately 180 degrees, and to the back considerably less.
The other set of hinges are the same color and material, and they fit sleekly against the earpieces in their own grooves, giving the earpieces a smooth appearance when on the head. There is nothing sticking out, and it's very aesthetic. When they're on the head the hinges and earpieces look like they're all one piece. I don't know who designed them, but whoever it is they're smart, LOL.The Cord:
Runs from the left earpiece, and is not reinforced at the point it meets the earpiece. The cord is very long and has a nice thickness to it. It's not flimsy at all. If you don't need the length, I suggest tying it up with a zip it, or something similar, to keep it out of the way. I like the length personally. If you're like me and you forget you're wearing these headphones and get out of your chair to get something it doesn't pull everything off the shelf:D
The cord terminates in a 1/4 stereo plug, and is reinforced at the back end of the plug with a flexible metal spring that's approximately an inch long. The plug itself is textured for easy gripping.
If you're going to use these headphones for your: computer, tv, portable CD player or whatever. You're going to need to buy a 3.5 mm adapter because these headphones don't come with one in the box, like some of the other Audio Tecnica headphones.
But it's easy to find an adpater, and not much hassle. You can buy adapter kits. There is an adapter kit with four different sizes of adapters, right here on Amazon for 5.00 or so. Sound and audio stores should have them as well as electronics stores, I think even Wally World has them. Radio Shack has a kit that's a little different from the one here on Amazon, but it still has four different sized adapters. Just make sure you get a stereo to stereo adapter, not stereo to mono adapter. Isolation:
These really do a good job. When I'm listening to music I don't hear anything else unless the sound is extremely loud.
The sound:
The sound of music through these is excellent. I can hear everything the way it was meant to be heard. Nothing added or taken away. But listening pleasure is subjective. I really enjoy the music I hear through these headphones just playing MP3s on my computer without a fancy sound card on my computer. DVD movies sound very good also. The soundtracks sound great.
The longer I listen the better music sounds through these headphones.
The highs aren't sharp and grating, and the mid range is there, the lows are smooth and present. Nothing is muddy sounding to me. All the sounds are separated and discernible but not so sharply delineated that it picks the music to pieces with one drowning out the other. Everything is nicely balanced and flows together like music should. It sounds like I'm hearing a live performance. The bass is there, but it is NOT very pronounced and isn't the focus.
I don't hear any distortion at a higher volume, but then again I can't stand very loud music, it hurts my ears. You don't have to turn these all the way up to hear decently. I'm listening to Illumination by Hemi- Sync right now and I've got my system volume turned up to 3/4 and Winamp volume is at 9%, and that's quite enough to enjoy the music. I can still hear everything very well with no interference from outside noise.
The music accompanies the singer rather than drowning them out. If you enjoy the lyrics, like me, as much as the music, then these headphones are fantastic. The lyrics are very easy to understand,and the voice of the singer is perfectly presented.
Meatloaf "Life is a Lemon" sounds heavenly through these, and so does Garth Brooks "Friends in Low Places". Pink Floyd sounds divine, and so does John Denver. Mozart sounds great too. PussyCat Dolls "Don'tcha" sounds just as good to me. Rammstein - Blade Theme (Techno Remix) sounds as good as all the rest. Roberta Flack is as close to blues as I've gotten yet, and she sounds amazing. Minnie Ripperton's "Loving You" Sounds good too. I haven't listened to anything jazzier. Pantera sounds good, and so do the Heavy Metal soundtracks( 1 and 2). I hope that gives you some idea about the range of music that sounds great with these headphones. Meditation music sounds great also.Summation:
These are excellent quality headphones for the price. Someone put a lot of thought and effort into designing these. I always look at the details, and if someone paid attention to those I know they care about their product.
These headphones are light and comfortable on the head, and about the ears. They can be worn comfortably for extended periods of time without causing a headache. I believe they provide enough isolation, and outside sound dampening, to satisfy most music afficianados.
If you're looking for very pronounced bass, don't buy these unless you want to adjust the the bass to your satisfaction on your music source.
All in all I'm very pleased with these headphones, and I would buy them again. The price and the quality make this set of headphones an excellent buy.
On a sidenote: The customer service people are very nice. I emailed the customer service department for the amplitude range on another set I was eyeballing which are also made by audio Technica. The frequency response of headphones means nothing if the amplitude is way out of whack. It took about a week for them to answer but he very nice fellow who answered sent me JPGs of the amplitude graphs for the set I asked about, and another set. I'm sure he probably had to hunt the graphs down and then make a file to attach it to the email he sent me. Now that is customer service! Kudos to Audio Technica for their customer service. And that was before the sale!
The two sets were: Audio Technica ATH-A700 Closed-Back Dynamic Headphones With Double Air Damping and Audio Technica ATH-AD700 Open-air Dynamic Headphones.
If you're interested the amplitude range on the ATH-AD700 was much more flat than the ATH-A700, with less variation overall.
Alrighty then, that's all I can think of at the moment.
I'm enjoying my music on these very same headphones while I'm typing away.



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Audio-Technica's premium professional studiophones offer a flat, extended frequency response for professional studio monitoring. Superior components provide very high SPL capabilities while maintaining exceptional clarity of sound. Exterior design features include sturdy strain-relief cable and comfortable circumaural earpieces that can be rotated 180 degrees to permit one-ear monitoring. The studiophones utilize 40-millimeter drives with neodymium magnets and copper-clad aluminum wire voice coils for lowest mass. They are equipped with an 11-foot cable terminated in a standard 1/4-inch connector. This field-serviceable model allows elements, cables, and earpads to be replaced in the field if needed.

ATH-M40fs Features
Flat, extended frequency response for mixing/monitoring
Field-replaceable cables, drivers and ear pads
1,600 mW of power handling, high SPL capability
40 mm diameter drivers, neodymium magnets and CCAW voice coils
OFC litz wire cables, convenient one-side exit
Rotating earpieces for easy one-ear monitoring

ATH-M40fs Specifications
Type: Closed-back dynamic
Driver Diameter: 40 mm
Magnet: Neodymium
Voice Coil: Copper-clad aluminum wire
Frequency Response: 5 - 28,000 Hz
Maximum Input Power: 1,600 mW at 1 kHz
Sensitivity: 100 dB
Impedance: 60 ohms
Weight: 8.8 oz (250 g) without cable
Cable: 11-foot (3.4 m) (OFC litz wire, left-side exit)
Connector: 1/4-inch (6.3 mm) phone plug

What's in the Box ATH-M40fs Precision Studiophones, User Manual

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