Showing posts with label stereo. Show all posts
Showing posts with label stereo. Show all posts

Basic Mixing Techniques (Sound on Sound) Review

Basic Mixing Techniques (Sound on Sound)
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Get this book! This little book (literally - it's a little bigger than a palm pilot) is five chapters packed with 175 pages, including the glossary. It is worth more than books twice its size, with twice the content. I started in music doing rap, hiphop and electronica so I got my experience from doing talent shows, contests, and parties and later in college playing gigs in a band, and later going totally digital on a PC. I never went to school for this stuff, so what I wanted was some indepth tips and techniques to polish my sound. Most other books are extremely intellectual and contain very little practical-wise for someone who already has some experience. You'll learn all the correct words and terminology for what you've already done from experience. Now you can take a written test and pass with an A. But it won't help you recording wise. Also typical books will only give advice on your standard pop or rock recordings. I'm doing techno which pretty much goes by its own rules. No reverb on the bass track? Yeah right! This book gives you practical techniques, tips and advice on a whole lot of stuff!! Effects techniques, recording vocals, balance, mix automation and little tricks for getting around little shortcomings your gear may have. And it gives you alternatives for different styles of music. First I was a little nervous when I saw how little it was. And it came a big 'ole box. I was like, "oh no, I wasted my money again." But believe me this book delievers!! It gives new meaning to "put it in da mix!"

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In music recording, the quality of a mix is every bit as important as the quality of the performance, and potential hit singles have been ruined by poor mixing. This helpful guide blows the lid off the secrets of mixing and explains in easy and illustrated terms how you can create a professional-quality recording with even the most basic equipment.

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Grado Prestige Silver Standard Mount Turntable Cartridge Review

Grado Prestige Silver Standard Mount Turntable Cartridge
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I bought this cartridge for my Technics 1200 turntable, having already owned the budget Black model. The Silver does everything the Black does but better. It is fuller sounding with deeper bass and a more articulate midrange. More importantly, the soundstage is wider and deeper.
In my review of the Black, I felt it was like a low cost moving coil with excellent presentation of small details and a very neutral balance.The Grado sound is natural, warm yet detailed. There is no brightness. And while the Black can sound a bit small and lean the Silver serves up a bigger fuller sound while retaining all of the positive virtues of its less expensive stable mate. My listening includes jazz, classical and rock. I think the Grados are good with all kinds of music but I am most impressed with their natural presentation for classical and opera records.
At the price of the Silver, only the Denon DL110 offers actual high output moving coil performance. Ortofon has one for slightly more money. The Silver is actually a special moving iron design which Grado has used and refined for decades. The Grados are made in the USA.
Visually the Silver is identical to the Black except there are two silver dots on either side of the stylus holder indicating which model it is.
One thing I must warn about however is that this cartridge can hum on certain turntables that use unshielded motors. There are no hum issues on my Technics or Pioneer direct drives or my old Thorens 166 but it is a slight issue on my Rega. The Grado sounds fine at normal levels on the Rega (so not an issue for me)but hums when the cartridge gets close to the end of the side and near the motor (when played at very high volumes). It also hums noticeably on my older 1979 vintage Toshiba Direct Drive. This cartridge is also only an average tracker and certainly no match for the likes of a Shure or Nagaoka. However, I prefer the sound of the Grado Black and Silver to either of those cartridges.
So a strong recommendation for those with a compatible turntable. Grado also makes these in Pmount (T4P) so good for those sleek tables from the 1980s as well. I intend on trying a Grado Blue P mount for my other Technics table which uses that style of cartridge.

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Yamaha RX-397 100 Watt Natural Sound AM/FM Stereo Receiver Review

Yamaha RX-397 100 Watt Natural Sound AM/FM Stereo Receiver
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Despite the current fad for multi-channel audio/video receivers, the majority of people still listen to music with two speakers and only need a two-channel stereo receiver to drive them. As fanatic audiophiles with excellent stereo speakers, my wife and I recently purchased this receiver because of very good previous experience with Yamaha electronics products. This is a superb receiver in all respects. Some people may think that they need more than this receiver's rated power of 50 watts per channel, but Yamaha's power ratings are extremely conservative and this receiver will drive virtually any speakers to deafening levels (which I don't recommend doing). More important than it's ample power is its very low distortion. Yamaha specializes in low distortion products for very clean sound. In addition to robust power and ultra-low distortion the RX-397 has a full complement of controls, plus an easy to use remote. But as a fanatic audiophile another feature, typical of Yamaha, which I particularly appreciate is a button which sends the signal from our CD player (or any other non-phono cartridge input) directly to the amplifier -- bypassing the preamp circuitry, which is not needed except when playing LPs (which most people rarely do these days) -- for the lowest distortion and best signal to noise ratio. There are plenty of slighty less expensive -- and less good -- stereo receivers available, but if you want suberb performance at a moderate price I highly recommend this Yamaha.

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Natural Sound AM/FM Stereo Receiver, 100W, Superior Sound Quality with Pure Direct Switch, Linear Damping, High Dynamic Power and Advanced Circuits

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Grado Prestige Black P Mount Turntable Phono Cartridge Review

Grado Prestige Black P Mount Turntable Phono Cartridge
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I saw this recommended for use with the Panasonic Technics SLBD20D Semi Automatic Turntable, but it cannot be used with that turntable due to a pronounced hum, even with the ground wire attached. This may be a good cartridge with a different turntable, one with a shielded or distant motor, but not with the SLBD20D. In fact, a brief Google search after I tried to use this cartridge with this turntable produced many references to "the infamous Grado hum" - so perhaps it has this problem with other turntables as well. This problem should surely be mentioned.

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Technics SA-AX730 Dolby Digital Home Theater Receiver Review

Technics SA-AX730  Dolby Digital Home Theater Receiver
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The Technics SA-AX730 is one of the most powerful and quality receivers. With its H+ class circuit amplification produce a clean, precise sound with a wide dynamic range and a minimal T.H.D (total harmonic distortion) 0.05% on rated power with all 5 channels driven (20Hz - 20Khz)and a damping factor of 30 (no need for more).With its Dolby Pro Logic processor you can enjoy a full surround music from 2 channel sources and a discrete 5.1 channel (AC-3) from a device containing Dolby Digital Decoder (its 6 channel input ready ) and most DVD players are equipped with Dolby Digital Processor. I strongly recommend this machine because of its nice design, quality of sound, and some uniqe extra features like the automatic cooling fan, the help function botton that gives a status information about the reciever and operating faults , the timer and alarm function and its capability to handle speakers from 4 Ohm to 16 ohm impedance. In addition; its "test" and "Delay" function for speaker adjustment and distance can optimize the sound for every room.
Do not forget the protection (cut off) circuit that protect the receiver from a possible damage when a shortcut or overload is happening.
The bottom line:
An amazing a/v receiver for both Music and Home theater with high end sound quality. worth every pinny!!
Enjoy the music....

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Shure M92E Hi-Fi Moving Magnet Cartridge Review

Shure M92E Hi-Fi Moving Magnet Cartridge
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This is a good all around cartridge especially if your not after a superior sound. It's very "neutral" and uncolored which is a real plus. However, the upper frequencies-cymbals, "sibilants" etc.-get pretty muddy. Don't let this scare you. This puppy, especially when mounted on a good straight arm P-mount, will track almost anything! If you can find a Shure 104E stylus to replace the stock stylus you'll be pleasantly surprised at how good the 92E cartridge really sounds! I only give it 4 stars because the stock stylus is a little lacking on the high end, at least to my ear anyway! Good overall value especially given that it's a "universal" mounting system.

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Suitable for a wide variety of applications, the Shure M92E moving magnet phono cartridge faithfully reproduces the sound of your records at an affordable price. Once mounted on your turntable's tonearm (it fits both common tonearm types), its natural bi-radial diamond tip and aluminum-alloy stylus cantilever combine to precisely trace the grooves of almost any record for a difference you can hear. In addition, the model's low 1.25-gram tracking force helps prolong the life of your vinyl--an important consideration for collectors and serious music fans. Audio-wise, the M92E boasts an essentially flat frequency response of 20 Hz to 18 kHz and a stereo balance within 2 dB, so your favorite tunes sound rich and nuanced through the average speaker set.
The M92E comes with a standard mount adapter, hardware, and a stylus guard and is covered by Shure's standard one-year warranty.
What's in the Box M92E cartridge, standard mount adapter, mounting hardware, stylus guard, user's manual.

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TCC TC-750 BLACK Audiophile Phono Preamp, Pre-amp (Preamplifier) Review

TCC TC-750 BLACK Audiophile Phono Preamp, Pre-amp (Preamplifier)
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I have a fairly large collection of operas on LP's and had been having a friend transfer some of them to CD's. Unfortunately he seemed to have trouble keeping system noises, humming and buzzing, from entering the recordings so I decided to try for myself. I have an old Technics direct drive turntable equipped with a Stanton pickup. I read another review on the TC-750 which impressed me, so since this preamp was relatively inexpensive I decided to give it a try. It arrived shortly after ordering particularly for Hawaii, and I hooked the turntable up to the TC-750 and that in turn to a VCR which is plugged into the sound card of my computer. Using Nero software that came with a Sony DVD burner I captured several of the operas and burned them onto CD's. I cannot emphasis to much how elated I am with the sound. It is absolutely clean and smooth. The sound reproduction is perfect. I am totally estatic with the performance of the relatively inexpensive TC-750 phono preamp, and highly recommend it to anyone wanting to connect a magnet phono pickup to a standard audio imput.

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Audio Technica AT3482P P-Mount Magnetic Cartridge Review

Audio Technica AT3482P P-Mount Magnetic Cartridge
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It's not that the compact disc cannot show its superiority at times under the right conditions but as usual the industry has reached a point whereas to sacrifice true dynamics for the sake of mass production. Did this not also occur during the glory days of analog vinyl reproduction? Still the big full artwork of the analog record cover may be reason enough for one to get bit {so to speak} by this very nostalgic analog bug as I and many others have recently! Besides...records...or vinyl if you will...are alot more interesting...are they not?
And what about those of you still fortunate enough to own one of the great {OK sometimes not so great} Technics and Pioneer P-Mount turntables like myself. As you pull your new found treasure from that dusty musty ole cellar box...you notice that the stylus {needle} ain't lookin' too great. The cantilever is rusted or the stylus is bent. So now what are you going to do?
You're probably gonna look for an o.e.m. replacement stylus/needle on line. Don't bother! Yes...it might be out there but probably will cost more than the fine product up for review here. Besides...one of the features of a T4P/P-Mount system is the fact that the cartridge can easily be pulled out after removing the side screw. Instead of replacing the needle...you can simply opt to {at low cost} replace the whole kit-'n-kabootle!
Of course there are limited pickins for P-Mounters these days and really only one that actuallly performs well. Enter the A-T 3482P cartridge with uniradial or conical stylus shape. The cartridge itself is downright sexy looking with its high glossy piano black finish and white lettering stamped on top. This is no run-in-the-mill A-T!
Audio-technica also offers a similarly priced, specified and constructed white model with bonded .7 mil stylus that is interchangeable with the introduction of its A-T 90CD but there are significant differences! One being the 3.5 mv output of the A-T 90 as opposed to the higher 5.0 mv output of the A-T 3482. The other is more significant but perhaps so easily overlooked.
The cantilever of the A-T 90CD is a thin alloy hollow tube that is so commonly found on numerous models from not only audio-technica but from Shure and others in this price range. Unfortunately...at least in their P-Mount form...they all stink! The cantilever of the 3482 however is a dark-colored light rigid skip-resisting carbon fiber type and it sounds good...very good...and sweet!
It also holds the groove better than any of the others. Some of the others don't perform as well at the 1.25 gram factory preset of most P-Mount tonearms because they are designed to operate ideally at higher forces. The 3482P is designed for optimum tracking at the factory settings of P-Mount tables.
Bass with the A-T 3482 in place is well-defined, strong and powerful without being overdone. Stereo separation, mids, highs and imaging are all superb! Sibilance also is handled well by this cart although not quit equal to the best standard mounts. At least you won't want to take cover everytime your favorite artist splatters that S-SSS-SSSSound!
Since using the A-T 3482P with my new TC-160LC Phono Preamp...the news gets even better! Guitar pickin' has really become something special and I am appreciating the subtlety aspect of this nice cartridge even more. For you old timers...like myself...remember when you owned your first Dual turntable way back when and for an extra twenty bucks you received that great Shure Hi-Track M91E??? Remember when once aligned properly with Dual's little plastic protractor...how great transients sounded...and how clean...Clean...C-L-E-A-N those Jethro Tull, Pink Floyd, 4 Seasons, Neil Young, Beatles and Joni Mitchell LP's sounded???
Well...this is precisely what I'm getting with the A-T 3482P/Technics SL-D30/TCC TC-160LC combo...only better! By comparison and just for the hell of it...I recently substituted the A-T 3482P with the company's slightly higher priced A-T 92ECD model which features an aluminum cantilever with .003 x .007 elliptical stone. Remembering how well the A-T/Signets with a similar stylus shape sounded back in the day...I expected much more than what I received from this cart.
I found myself immediately yanking the 92ECD out of the Technics tonearm while putting the 3482 back in its place. Whew!...I was just happy to have that CARBON FIBER CANTILEVER BACK AT THE HELM AGAIN.
The 3482 has a nice way of staying detailed and dynamic even on inner passages but it must be said that the Shure M97xE does perform slightly better in this regard. The M97xE is also two to three times the price of the A-T 3482. Funny how I find myself listening to the Technics/A-T rig quite a bit lately. Man...THAT GE-EEE-TAR P-I-C-K-I-N'!!!!
So...ole timers...here you go...here is your modern day Shure M91E bargain...at least in P-Mount form. It outperforms all other P-Mount designs past and present...PeterSince using the A-T 3482P with my new TC-160LC Phono Preamp...the news gets even better! Guitar pickin' has really become something special and I am appreciating the subtlety aspect of this nice cartridge even more. For you old timers...like myself...remember when you owned your first Dual turntable way back when and for an extra twenty bucks you received that great Shure Hi-Track M91E??? Remember when once aligned properly with Dual's little plastic protractor...how great transients sounded...and how clean...Clean...C-L-E-A-N those Jethro Tull, Pink Floyd, 4 Seasons, Neil Young, Beatles and Joni Mitchell LP's sounded???
Well...this is precisely what I'm getting with the A-T 3482P/Technics SL-D30/TCC TC-160LC combo. By comparison and just for the hell of it...I recently substituted the A-T 3482P with the company's slightly higher priced A-T 92ECD model which features an aluminum cantilever with .003 x .007 elliptical stone. Remembering how well the A-T/Signets with a similar stylus shape sounded back in the day...I expected much more than what I received from this cart.
I found myself immediately yanking the 92ECD out of the Technics tonearm while putting the 3482 back in its place. Whew!...I was just happy to have that CARBON FIBER CANTILEVER BACK AT THE HELM AGAIN.
The 3482 has a nice way of staying detailed and dynamic even on inner passages but it must be said that the Shure M97xE does perform slightly better in this regard. The M97xE is also two to three times the price of the A-T 3482. Funny how I find myself listening to the Technics/A-T rig quite a bit lately. Man...THAT GE-EEE-TAR P-I-C-K-I-N'!!!!
So...ole timers...here you go...here is your modern day Shure M91E bargain...at least in P-Mount form...Peter

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AUDIO TECHNICA Universal Mount Phono / Turntable Cartridge Review

AUDIO TECHNICA Universal Mount Phono / Turntable Cartridge
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A friend of mine who is a recording engineer recommended I get this one to go with a Technics turntable (sl-5 linear tracking, p mount only) rather than the Shure someone had put on it. I was hesitant because of the lack of reviews online and the price point. I thought it was too cheap to be really good. I have to say its the best thing I could've gotten. My main musical interest is rock, and some of it gets really hard and heavy. This cartridge makes music really come alive. The bass is full, without overpowering, all of the musical details are crisp and clean. Its dynamic, warm, spacious, vibrant! I haven't felt vinyl in a long time. I could totally feel it with this. I just can't believe that its so underrated. Well, maybe that keeps it nice and affordable.

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Audio-Technica ATHM40FS Precision Studio Headphones Review

Audio-Technica ATHM40FS Precision Studio Headphones
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This review is for:
Audio Technica ATHM40FS Precision StudioPhones
First of all right out of the package they look expensive. They do not look cheaply made and the matte black coloring and shape of these headphones is pleasing to the eye.
From the top down:
The headband is approximately two inches wide and covered even on the top with some type of soft to the touch material. The underside of the headband is very well padded and the padding extends almost down to the hinge where the earpieces are connected to the headpiece. The padding is nice and squishy, but not so much that you can feel the hardness underneath. The thickness of the padding is approximately 3/4 of an inch thick.
These earphones are very light, I've been wearing them all day with no neck fatigue, or headache from too much pressure around the ears.
The tension of the headband is enough to hold the earphones on my head, but they rest comfortably without pressure around my ears.
The hinges where the earpieces meet the body are made from some type of heavy duty, hard plastic(I don't know the technical name for it). The hinges are nice and thick. They look well made and able to take a lot of use.
The earpieces:
The shape is sort of an elongated oval. They are lined all the way around by padding that is approximately 3/4 of an inch thick, and one inch wide, and they're covered by the same velvety soft material as the headband padding. This padding feels wonderful against the skin. The padding that touches the skin is flattened to fit against the head better, giving these headphones excellent sound squelching qualities.
The inside of each earpiece is oval in shape and the inside depth is between 1/2 and inch and 3/4 of an inch. The inside wells that hold the speakers are covered with some type of soft fabric as well.
The holes under the fabric where the speakers are located are shifted slightly toward the back side of the ear pieces.
The outside housing is a some type of matte black high density plastic, and the R and L on each one is molded into the plastic rather than being painted on so that it won't rub off eventually.
The hinges:
Move smoothly and easily. There are two sets of them. One allows the earpieces to be rotated out when they're being worn, so outside noises or conversation can be heard without taking them completely off. They're made of matte black high density plastic also. They're nice and thick, and the part that attaches the earpieces to the headband meets the headband smoothly. If you didn't know the seam was there, you'd probably miss it. Each earpiece can be rotated out to the front approximately 180 degrees, and to the back considerably less.
The other set of hinges are the same color and material, and they fit sleekly against the earpieces in their own grooves, giving the earpieces a smooth appearance when on the head. There is nothing sticking out, and it's very aesthetic. When they're on the head the hinges and earpieces look like they're all one piece. I don't know who designed them, but whoever it is they're smart, LOL.The Cord:
Runs from the left earpiece, and is not reinforced at the point it meets the earpiece. The cord is very long and has a nice thickness to it. It's not flimsy at all. If you don't need the length, I suggest tying it up with a zip it, or something similar, to keep it out of the way. I like the length personally. If you're like me and you forget you're wearing these headphones and get out of your chair to get something it doesn't pull everything off the shelf:D
The cord terminates in a 1/4 stereo plug, and is reinforced at the back end of the plug with a flexible metal spring that's approximately an inch long. The plug itself is textured for easy gripping.
If you're going to use these headphones for your: computer, tv, portable CD player or whatever. You're going to need to buy a 3.5 mm adapter because these headphones don't come with one in the box, like some of the other Audio Tecnica headphones.
But it's easy to find an adpater, and not much hassle. You can buy adapter kits. There is an adapter kit with four different sizes of adapters, right here on Amazon for 5.00 or so. Sound and audio stores should have them as well as electronics stores, I think even Wally World has them. Radio Shack has a kit that's a little different from the one here on Amazon, but it still has four different sized adapters. Just make sure you get a stereo to stereo adapter, not stereo to mono adapter. Isolation:
These really do a good job. When I'm listening to music I don't hear anything else unless the sound is extremely loud.
The sound:
The sound of music through these is excellent. I can hear everything the way it was meant to be heard. Nothing added or taken away. But listening pleasure is subjective. I really enjoy the music I hear through these headphones just playing MP3s on my computer without a fancy sound card on my computer. DVD movies sound very good also. The soundtracks sound great.
The longer I listen the better music sounds through these headphones.
The highs aren't sharp and grating, and the mid range is there, the lows are smooth and present. Nothing is muddy sounding to me. All the sounds are separated and discernible but not so sharply delineated that it picks the music to pieces with one drowning out the other. Everything is nicely balanced and flows together like music should. It sounds like I'm hearing a live performance. The bass is there, but it is NOT very pronounced and isn't the focus.
I don't hear any distortion at a higher volume, but then again I can't stand very loud music, it hurts my ears. You don't have to turn these all the way up to hear decently. I'm listening to Illumination by Hemi- Sync right now and I've got my system volume turned up to 3/4 and Winamp volume is at 9%, and that's quite enough to enjoy the music. I can still hear everything very well with no interference from outside noise.
The music accompanies the singer rather than drowning them out. If you enjoy the lyrics, like me, as much as the music, then these headphones are fantastic. The lyrics are very easy to understand,and the voice of the singer is perfectly presented.
Meatloaf "Life is a Lemon" sounds heavenly through these, and so does Garth Brooks "Friends in Low Places". Pink Floyd sounds divine, and so does John Denver. Mozart sounds great too. PussyCat Dolls "Don'tcha" sounds just as good to me. Rammstein - Blade Theme (Techno Remix) sounds as good as all the rest. Roberta Flack is as close to blues as I've gotten yet, and she sounds amazing. Minnie Ripperton's "Loving You" Sounds good too. I haven't listened to anything jazzier. Pantera sounds good, and so do the Heavy Metal soundtracks( 1 and 2). I hope that gives you some idea about the range of music that sounds great with these headphones. Meditation music sounds great also.Summation:
These are excellent quality headphones for the price. Someone put a lot of thought and effort into designing these. I always look at the details, and if someone paid attention to those I know they care about their product.
These headphones are light and comfortable on the head, and about the ears. They can be worn comfortably for extended periods of time without causing a headache. I believe they provide enough isolation, and outside sound dampening, to satisfy most music afficianados.
If you're looking for very pronounced bass, don't buy these unless you want to adjust the the bass to your satisfaction on your music source.
All in all I'm very pleased with these headphones, and I would buy them again. The price and the quality make this set of headphones an excellent buy.
On a sidenote: The customer service people are very nice. I emailed the customer service department for the amplitude range on another set I was eyeballing which are also made by audio Technica. The frequency response of headphones means nothing if the amplitude is way out of whack. It took about a week for them to answer but he very nice fellow who answered sent me JPGs of the amplitude graphs for the set I asked about, and another set. I'm sure he probably had to hunt the graphs down and then make a file to attach it to the email he sent me. Now that is customer service! Kudos to Audio Technica for their customer service. And that was before the sale!
The two sets were: Audio Technica ATH-A700 Closed-Back Dynamic Headphones With Double Air Damping and Audio Technica ATH-AD700 Open-air Dynamic Headphones.
If you're interested the amplitude range on the ATH-AD700 was much more flat than the ATH-A700, with less variation overall.
Alrighty then, that's all I can think of at the moment.
I'm enjoying my music on these very same headphones while I'm typing away.



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Audio-Technica's premium professional studiophones offer a flat, extended frequency response for professional studio monitoring. Superior components provide very high SPL capabilities while maintaining exceptional clarity of sound. Exterior design features include sturdy strain-relief cable and comfortable circumaural earpieces that can be rotated 180 degrees to permit one-ear monitoring. The studiophones utilize 40-millimeter drives with neodymium magnets and copper-clad aluminum wire voice coils for lowest mass. They are equipped with an 11-foot cable terminated in a standard 1/4-inch connector. This field-serviceable model allows elements, cables, and earpads to be replaced in the field if needed.

ATH-M40fs Features
Flat, extended frequency response for mixing/monitoring
Field-replaceable cables, drivers and ear pads
1,600 mW of power handling, high SPL capability
40 mm diameter drivers, neodymium magnets and CCAW voice coils
OFC litz wire cables, convenient one-side exit
Rotating earpieces for easy one-ear monitoring

ATH-M40fs Specifications
Type: Closed-back dynamic
Driver Diameter: 40 mm
Magnet: Neodymium
Voice Coil: Copper-clad aluminum wire
Frequency Response: 5 - 28,000 Hz
Maximum Input Power: 1,600 mW at 1 kHz
Sensitivity: 100 dB
Impedance: 60 ohms
Weight: 8.8 oz (250 g) without cable
Cable: 11-foot (3.4 m) (OFC litz wire, left-side exit)
Connector: 1/4-inch (6.3 mm) phone plug

What's in the Box ATH-M40fs Precision Studiophones, User Manual

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Sony PS-LX250H Automatic Belt-Drive Turntable Review

Sony PS-LX250H Automatic Belt-Drive Turntable
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No, you can't use this Sony turntable to beat mix 12" dance records or to perform fancy dj-ing tricks. And it certainly will not compare with any $1000 audiophile turntables in terms of audio reproduction quality. This amazingly inexpensive unit will function nicely, however, if you are seeking a basic turntable to play records.
This turntable will NOT play old 78 rpm records, but it does just fine with 45's (the small "hold in the middle" kind or l2") or 33 1/3 rpm lp's. Operation is simple: all you need to do is place the record on the platter, put down the built-in dust cover, and push "start." If you wish to interrupt play, you push "stop." If you want to raise the tonearm above the record temporarily, you push "up/down." What could be simpler?
Since it includes its own built-in preamp, this unit is easy to use in conjunction with a home computer. Why would someone do this? Not only can you utilize your computer's audio reproduction capabilities to listen to records as you work (or play), but hooking up a turntable to your sound card is the first step in setting up a system to convert your old vinyl records to digital files so you can burn them to cd. That's mainly how I use my PS-LX250H, and in this capacity is has performed flawlessly and magnificently.
It's unfair to rate this item based upon unrealistic comparisons to far more feature-laden and expensive turntables. What's truly astonishing here is just what a fine machine Sony has made available for such a bargain price.

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The PSLX250H Automatic Belt-Drive Turntable features fully automatic operation, a belt driven system with 33-1/3 and 45 RPM speeds, a balanced tone arm, and front-mounted controls. Plus it includes a phono cartridge with a bonded diamond stylus. So pull out those records that you haven't played in a long time and start to reminisce.

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Numark TTUSB Turntable with USB Review

Numark TTUSB Turntable with USB
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I've been looking for a way to easily convert the old vinyl to iPod-ready MP3s. A bunch of my old LPs will never see the light of a CD so this looked like a great, one-step way of digitizing the old, round, black things with all the grooves.
Backstory: I'm a Mac guy, and I've worked with and taught audio production for a number of years so I more or less know my way around the audio world. That said...
This works quite well, but has a few limitations. Out of the box it plugged right in via the USB port and it also has stereo RCA jacks (such as would plug into the back of your tuner/amp) on the back. Drawback #1 is that the RCA jacks are hard-wired into the base of the turntable so if you don't use them (and are using the USB connector) there's no way to get rid of them. They dangle. This _could_ be causing a problem and I'll address that in a moment.
The turntable worked great, though I"m not sure why they put a pitch control on it if there's no strobe light to verify the speed of the unit. Sort of like putting a tachometer on a car with an automatic transmission. Why?
Beyond that, it has two speeds, 33 and 45 (with adapter) and the LPs sounded OK on the speed. If you are wanting to digitize your old 78s, you can record them at 33 and use the software (see below) to get them to the right speed.
Drawback #2: No tonearm cueing lever so you are manually dropping the arm onto the vinyl disk. Don't drink a lot of coffee before you cue your records, especially since it has a counterweight adjustment on the tonearm that make the tonearm almost wightless. It really tough (even without coffee) to drop that ultra-light arm onto the vinyl without bounce and shake. Be careful...
The audio processing software that ships with the unit is "Audacity," an open-source freeware that you can also download from the Web. If you are using an Intel Mac, make sure you download the new version, as the Mac software supplied on the disk is out of date. PeeCee users with Win2000 and XP should be ready to go. You can also use it with most other audio processing software apps.
Audacity software is a bit clunky, but it works OK for this task. I've used it for a number of years so I felt at home with it. If you are new to it you may not be comfortable with it for a while. But it does a good job and you can easily fix clicks, pops, and vinyl noise with the software. To make the final export to MP3 you also need to download MP3 conversion software (LAME...that's an MP3 encoder, not an opinion...and it's also free), as it's not part of Audacity. No biggie. Once it's downloaded and you link it once so Audacity can find it, you're done and it's forever invisible.
Drawback #3: There seems to be a very, very faint hum through the USB connection and I can't find the source. It may be a grounding issue but there is no grounding connection on this, a basically plasitc body and base. You don't notice the hum during the music, but if you listen it's there in the silence between the tracks. It may also come from those dangling RCA cables that you can't unhook. Until I can isolate and eliminate the hum, I'm just editing out the noise between the tracks with the Audacity "generate silence" command. Again, no biggie, but it's an extra step.
Once you've captured an entire side of a vinyl, you add "markers" to the recorded track to indicate the track breaks, hit Audacity's "Export Multiple" command, select MP3 (assuming you have downloaded the LAME software) and your ready for iTunes. It's slick.
Overall: The turntable works very well for my needs. A serious audiophile may scoff at it and be displeased with the minor hum problem or the lack of a cueing lever, but hey, the price is right. I'd give it a Five-Star rating if it had a cueing lever, detatchable RCA cables, and no faint hum between the tracks.

Click Here to see more reviews about: Numark TTUSB Turntable with USB

The TTUSB is a unique, plug and play, USB compatible turntable that makes digitizing your vinyl record collection to your PC or Mac a snap. Packaged with all the necessary cables to connect with a computer or stereo playback system, along with software to remove clicks, pops, and other undesirable characteristics of vinyl, the TTUSB is a comprehensive package that breathes new life into older recordings.

USB Turntable Numark is known for their turntables, and this one lives up to the company name. Features include an adjustable Anti-Skate control for increased stereo balancing, 33-1/3 and 45 RPM speed playback (with 78 rpm support via software), line level RCA outputs with built-in preamp, and an adjustable pitch control of plus or minus 10%.
The USB output means a no-fuss, plug-and-play connection to your PC or Mac for easy archiving.
Stereo Line Input As an added benefit, the TTUSB also includes a 1/8-inch stereo mini jack input connector to facilitate the transfer of cassette tapes (or similar line level sources) to computer files-making this unit the perfect tool for archiving older recordings, regardless of their original format.
EZ Vinyl Converter 2 The included EZ Converter software quickly rips your vinyl collection directly to iTunes. MixMeister's software lets you easily designate each track with the click of a button, and retrieves track names and other info using Gracenote technology. Once it's in iTunes (or the playback software of your choice), make playlists, burn CDs, or transfer to your iPod or other media player.
Audacity For the editing of your transferred files, the included Audacity software (PC and Mac compatible) provides a wealth of easy-to-use features. Remove clicks, pops, and other vinyl surface noise. Export your analog music to popular digital formats such as WAV or MP3, and turn your old, forgotten records to the top of your digital music playlist.
What's in the Box TTUSB Turntable (Includes Pre-Mounted Cartridge, Platter, Counterweight, 45RPM Adapter, Slipmat), USB Cable, Software CD, User's Manual

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Audio-Technica AT-PL120 Professional Direct-Drive Turntable Review

Audio-Technica AT-PL120 Professional Direct-Drive Turntable
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I stopped listening to LPs as most folks did when CD players hit the mass market. Convenience was the name of the game, particularly the ease of listening to music on the road. But what a tremendous difference in sound vinyl really provides! I chose the AT-PL120 after several hours of research on the web over a couple of days. I first considered spending the least amount of money and considered the entry-level model AT-PL50. I talked to an audiophile shop and while the shop thought it was a good entry-level model, they advised me to consider the next step up because it was well worth the investment in terms of sound quality and equipment durability. Upon close inspection at a local electronic store, the AT-PL50 looked really cheap. I decided to spend more money and get decent quality. I considered the AT-APL120 and the Music Hall MMF2.1, which has pretty decent reviews. The difference came down to saving $50 or so and decided to try the Audio Tecnica. I must admit, the sound is impressive and the built quality of the turntable is really good. Besides the DJ features, which I really do not care about, it has several bells and whistles that makes it very professional looking. I am using a pair of B&W bookshelf and a Yamaha RX-777, perhaps one of the few available stereos for music listening you can still get. The combination works well, but no doubt the vinyl sounds much better than a well-recorded CD. The AT-PL120 makes the sound really come alive! If you still have your old records and invested in taking good care of them, spend a few bucks and get this turntable. If I ever decide to burn a few LPs to play them in my car, it also has the built in amp. All in all, after two days of playing LPs on this turntable, I am very satisfied. The AT-PL120 comes pretty well boxed too. Too bad that Amazon packed it in a big but soft box, which was open on one side when UPS delivered. If it wasn't for the Audio Tecnica box, I would have refused the shipment. Luckily it all works like it is supposed to.

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Audio-Technica's AT-LP120 direct-drive, high-torque professional turntable is perfect for DJs and other music enthusiasts, especially in an era that many would call "postvinyl," when it's no longer the norm for audio/video receivers or even integrated amplifiers to offer a dedicated phono input. A selectable internal stereo phono preamplifier lets you plug the turntable directly into any line-level input, even your PC's (when used with a stereo RCA to minijack "Y" adapter cable, not included). Alternately, you can use the player's phono output and an outboard, higher-quality phono preamplifier for even better sound quality.
The Audio-Technica AT-LP120 professional turntable (see larger image).

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Technics SL-BD22 Stereo Audio Turntable Review

Technics SL-BD22 Stereo Audio Turntable
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Operation of this turntable is smooth with regards to accurate pitch and speed adjustment and the auto-return tone arm mechanism is flawless.
However, the downfall of this Technics turntable is an annoying audible static -like intermittent noise heard on quiet passages of music. I made absolute sure the ground wire was well secured and I even tested this 'table on another stereo system and still the annoying noise was present. Apparently, it may be something inherent in between the belt-motor and the output wiring. I tested another Technics table of the same model number and, yup, you guessed it...that same noise is there. It could have something to do with a design flaw or something that is just inherent with a non-direct drive frequency generated turntable...On a consumer electronics web-site another owner/reviewer of the SL-BD22 had the same exact problem ! So, it could be very much a problematic theme with regards to the designing of the table motor mechanism.
After this experience, I upgraded to the Technics SL-1200M3D. WOW ! A major world of difference. It didn't come cheap but the quality and durability is something to behold and so what if it's not an automatic (one less thing to break down) !
The SL-BD22 is basically a no frills 'table and will play records nicely. BUT, if yours comes with a static or humming sound no matter how much adjusting you do, it's a possibility it could be that design flaw...

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Technics Slip Pad, 2 Pack - Yellow Review

Technics Slip Pad, 2 Pack - Yellow
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The slip pads were is great condition. The design was what I expected. I didn't like that it took 2 weeks to get it in the mail.

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Audio Technica ATLP120 Professional Turntable with USB Review

Audio Technica ATLP120 Professional  Turntable with USB
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So, what do you do when you want to get current with a new turntable
and you find the field swollen with overpriced gear and on the other
side, cheap Junk??
You shoot for a Technics SL1200....at least that's what I thought..
Sorry, but at $7+ bills-for a guy who never
spent over $170 for a turntable back in the day they were King, not going
for that. So what we have here with the Audio Technica AT LP120 USB
to be realistic, is a chinese knockoff of theFamous Technics Table.
So I bought one!
The bad first: On my unit, the finish on the top
of the turntable at three spots shows signs of the 'finish paint' not being
properly sprayed. In another words, it looks like someone took a pencil
eraser and went back and forth a few hundred times over the top finish
and wore out the finish coating. Ok,not good but something I could live
with cause it's not that bad, but, it doesnt make it look splendidly new either!
Do I want to take the time to send it back, no. I'm 51 and I still love my wife.....so
who cares????
Now the good: Ok, after reading many many Amazon customer reviews and others
on the Internet, and knowing a little bit about this thing I unpacked it, which, speaking
of packaging was good and bad. Everything was packaged very well but the styrofoam
they use broke in like 6 places, but the good news is that the turntable itself was not
damaged, nor were the parts like the counterweight and such.
Put it together and I will say, definitely, it IS a very good looking turntable!! Different in
composition than the Technics: whereas the platter on the Technics is a Part of the motor,
the AT is not. The motor is mounted well to the top plate of the TT and the Platter itself
is kinda not heavy, but is much beefier than 90% of the USB turntables out there, and at
a $200 priceline, is MUCH more than expected!! And it is brushed Aluminum and therefore
looks like the real deal, just a few oz lighter than my older Pioneer PL550's MASSIVELY
heavy platter. But that was 1976 and this is 2010, times have indeed changed.....
Now, many others have talked about the stock cartridge in the AT120. For DJ'ing
it's ok. But for TLC of vinyl for Audiophile purposes it's out of the question. I got the
Shure 97 on j&r for $59 and two 78rpm stylus's on Amazon for $22 each.(!) The stylus
is interchangable, so if you want to play 78's, just get the stylus for it and plug it into
the 97's body, re-adjust the stylus pressure and go for it!! At least that's what i've read
on the internet so we'll see if it actually happens. Worst case I'll have to pop for the 78
cartridge and have two spares, not bad actually either way.
I then ran the turntable for 13 hours at the 78 speed forward and backward to see if
the motor would fail, it Didn't. Turned it off, went to work, came home, turned it back
on, 33/45/78 all nailed-no drift, no slowdown or speed up. So Ok, the Motor seems
heavy duty, should hold up to years of use.
The tone arm is very well made and calibrated. Going down to 1 gram of stylus weight
just to see, the balance and bearings were very fluid, which tells me that if they didn't
know what they were doing, the tone arm would choke under a slight weight balancing
test-it didn't. The arm slowly went up and down with my changing oh so slightly of the
counterweight with no points of friction. Good Bearings and initial calibration at the
factory!!!
Tone arm lift is gentle going down and very firm going up, with how fast your finger
is telling it to go.
Platter is as stated solid. When going to 78 the mis alignment in the dots does rear
it's ugly head, but then again, at 33 or 45 you hardly notice it, no big deal.....
ONCE AGAIN, THIS IS A STREET PRICED $200 UNIT COMPARING IT TO A $700+ UNIT!!!!!
Very favorable imho. To get this kind of quality at a $200 realistic price point, is
very impressive. And the Technics does NOT play at a 78rpm speed. For me, this was
a major issue. I did not want two turntables to deal with!!! (Oh yeah, I'll impress people
with my $29 bsr poc next to my Mirage Speakers!!) NOT!!
And I must admit, AT did their homework. Again, not in the same OVERKILL QUALITY
league as the Technics 1200, but in all honesty, almost Overkill at a $200 price point.
Lastly, I opened the sucker to see if any screws were loose, which has been a factor
with EVERY piece of Electronics I've bought in the last 5 years that was made in china.
A B+ grade on this. Some screws needed very little tightening and the motor screws
were dead on snug! The construction inside was around 7 years behind the times
but clean. Compared to modern day factory construction of electronic gear, it wouldn't
win any prizes, but then looking at the guts of the Pioneer 550, judging it in this present
day, it wouldn't either. So there you go. For me, it fits the Bill perfectly, it's like the girl
you really think is hot except for her slightly crooked nose, you sort of accept it, but
you wish it was perfect, but you know it's not going to be. This Turntable is exactly
that. You'll probably fall for it and wish it was a Technics, but day after day, you'll
look at it and say, 'Damn, what a cool looking Turntable', and when you install that
Shure 97 and put on your old Mobile Fidelity copy of Steely Dan's AJA, you'll smile
all the way to the bank. Hell, you might even buy an extra one if Amazon ever
decides to make it a 'Deal of the Day' for a cool $100!!!! I would!!!!
I could go on for ever, but then I would bore myself to death........
Enjoy this Turntable and the Music.
MasterG
July 2010 Update:
The AT continues to rock my world. On 78's with the Shure 78 stylus, it operates flawlessly. And there have been No incidences of tonearm meandering or anything like that. This is a very good turntable and at $200 it's an absolute steal!!
December 2010 Update:
This thing is STILL Rocking! In the last two months I've purchased four Jimi Hendrix Vinyl Box sets, (West Coast Seattle Boy being one for $64!! on Amazon!!!!) and SunDazed Records 10Lp MONO Vinyl Bob Dylan set for $149!!!! (And yes, you get TWO more lp's than the Columbia box for alot less, the remastering is exquisite!!!) and more Hendrix vinyl from other retailers to pass on to my kids when I croak. And except for finding a good turntable mat, (this one comes with a felt mat, which is fine, but i'm a real nit picky type of schmuck so I search and I search for the holy grail without ever finding it...go figure.) it still is not giving me ANY problems. So, overall, after a year or so, It's still soooooooo worth the money I paid for it.
I wish you ALL a VERY MERRY Christmas!!!
GerryJanuary 2011 update:
Have gotten alot of questions about hookup, obviously there are alot of people not familiar with the old fashioned record player so here it is as simple as I can put it,
This Record Player/Turntable is a Stereo 'Component', which means that you HAVE to connect it to some kind of Amplifier or Stereo/Home /Theater Receiver in order to hear your records being played. It's NOT like an iPod, which has an internal amplifier and you pop your headbuds on and your in business.
So, you can't just pop a record on this and really hear anything, you have to connect it to some kind of amplifier in order for it to work properly.
Now go and hunt down those cool records you've been dying to here!!
Gerard

Click Here to see more reviews about: Audio Technica ATLP120 Professional Turntable with USB


Audio-Technica's AT-LP120-USB direct-drive, high-torque professional turntable is perfect for DJs and other music enthusiasts, especially in an era that many would call "postvinyl," when it's no longer the norm for audio/video receivers or even integrated amplifiers to offer a dedicated phono input.
Connect the Audio Technica ATLP120 to your computer to digitize your old LPs (laptop not included; see larger image).

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Shure M97xE High-Performance Magnetic Phono Cartridge Review

Shure M97xE High-Performance Magnetic Phono Cartridge
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I most recently decided it was time to replace my 15+ year old Bang and Olufsen cartridge. I began researching cartridges via reviews, manufacturer websites, etc., and found the task to be daunting. As it is virtually impossable to find decent customer reviews for cartridges for under $300, I felt I needed to write one, so here goes...
My system; Marantz 2252B receiver (you can't beat pre-1980s Marantz for true analog sound), Mirage Omni 60 speakers, Technics SL1200 direct drive turntable.
I admit that I am sort of a vinyl snob. I own tons of CDs, they're practical for the car and readily available, but I prefer the sound of a clean well cared for vinyl LP given the proper playing conditions. You might call me an audiophile who doesn't have the funding for a high end system. The Shure M97xE more than fits my budget.
I have been using The Shure M97xE for about a month now, listening to approximately 1-2 LPs a night, and I am quite impressed and content with my purchase. The cartridge comes with a 'dynamic stabilizer' brush mounted on the front that can be utilized or kept in the up position. This serves to stabilize the stylus under less than perfect playing conditions. I use it at all times, because it reduces static and collects dust, resulting in less build up on the stylus. I listen to everything from Dexter Gordon to the Clash to Weather Report to Bowie. I am extremely pleased so far with my purchase. It's great to exerience nuances of records that I have never heard before. The first album I played was Joe Jackson's Night and Day, and it sounded great. I heard background passages that I did not know existed on that record. I also noticed the stereo seperation to be a bit more pronounced than on the CD version of Night and Day. Next I put on a new copy of Salt and Pepper by Sonny Stitt and Paul Gonsalves. I hear crisp highs and feel the low lows. By my estimation, the sound from high to low and througout the midrange is fairly balanced, maybe slightly bassy. I forgot how rich the vinyl sound is compared to CD. For what it's worth, it also glides through some (but not all) pop and scratches that are in some of my older pressings without picking them up. Maybe it's the stabilizer. I am tracking at 1.75.
I have a discerning ear, and understand how music should sound, as far as seperation, depth, production values and so on.
Okay, I have never owned a $5000 cartridge, and therefore do not have that frame of reference, but I have experienced high end analog audio systems, and can say that for me this cartridge cuts it, at least in this price range. Actually I spent far less that I thought I would have to.
The MSRP is $140.

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Standard mount / Elliptical stylus / Low mass / Tracking force: 0.75 to 1.5 grams / 20Hz - 22kHz frequency response

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