Showing posts with label theory. Show all posts
Showing posts with label theory. Show all posts

The Frank Gambale Technique Book I (Manhattan Music Publications) Review

The Frank Gambale Technique Book I (Manhattan Music Publications)
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This is an excellent book for anyone who is serious about learning to play guitar. Although, I bought this book for $40 not $100+ as listed here. Gambale breaks everything down into chord types. Minor 7, major 7, unaltered dominant 7, altered dominant 7, minor 7 (b5), diminished. He attacks each chord type with several soloing approaches. He lists and gives examples of appropriate modes, arpeggios, pentatonics that can be used over that specific chord type. For example. When discussing a minor 7 chord he says there are two ways to look at it. You can look at it as a II chord or a VI chord. Say you are playing a dmin7. Dmin 7 is the II of C and the VI of F. So in this case you can use D Dorian or Aeolian. He also says that if you treat Dmin7 as the second of C you can use. Dmin, Emin, Amin blues/pentatonic scales over the Dmin7. Since the minor chords are II, III, and VI in any major scale. You can also approach soloing using arpeggios from cmaj over the Dmin and you can play these in fourths to get a more interesting sound, rather than just running up or down arpeggios. He has gone through all of that by page 8 and there is about 80 pages in the book. So basically, there is a huge wealth of knowlege in this book and it is an excellent way for a guitarist to get away from moving to the trusty pentatonic scales as soon as its time to solo. This book also comes with a Cd containing samples of each excercise as well as a couple short songs that Gambale has put together. Im not a big fan of the effects he uses while playing the excercises, but it doesn't really take anything away from the learning experience. If you can get a chance to get a hold of this book you should give it a chance, but know that it will take some serious time and experimentation to make these theoretical ideas come out of your guitar as music. They cant really be charging $107 for this, can they? Keep your eyes open and you should be able to find this book for around $40.

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The essential soloing theory course for all guitarists from one of the most distinctive guitar players on the music scene today. The method is structured around six basic chordal types approached five ways. Book I covers the first four chordal types and includes a 60-minute recording.

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Technique Systems in Chiropractic Review

Technique Systems in Chiropractic
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I teach chiropractic techniques at a well-known chiropractic college and have not seen a better compendium of technique summaries in print anywhere. This book offers an intelligent and succinct look at the most popular and effective chiropractic analyses and corrective procedures used by the profession. For any health care provider or patient looking for more information on what their chrio is doing, this is THE place to look.
Dr. Jerry I. Hochman

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Technique Systems in Chiropractic describes and analyzes the most commonly used techniques in today's chiropractic. These techniques, sometimes called brand-name or proprietary techniques, each provide a step-by-step protocol for proceeding from examination findings to adjustive and other treatment procedures. This book describes over two dozen technique systems in a nonjudgemental but critical manner, summarizing the available research and drawing conclusions as to what is actually known about them, compared with what the technique innovators themselves say.Describes and analyses over two dozen of the most widely known and used chiropractic technique systems, in alphabetical order.Uses a common format for each technique system, allowing the reader to easily locate desired information and draw comparisons between techniques.Features chapters on chiropractic terminology, as well as examination and adjustive methods that are common to many technique systems.Compiles and summarizes the relevant research on each technique, drawing summary conclusions and clearly identifying what is known and what is not known about each.Explains why there have been so many technique systems in chiropractic, past and present, and how this relates to issues of jurisprudence, practice parameters, and guidelines for care.Explores the interface between chiropractic technique systems and the movement toward evidence-based chiropractic (EBC).Presents demographic information on the rates of utilization of each technique in the United States and Canada.Includes a glossary of technique-specific terms and jargon.

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Electronic Music: Systems, Techniques, and Controls Review

Electronic Music: Systems, Techniques, and Controls
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Allan Strange's book is perhaps the definitive text on modular synthesis methods, written from a standpoint that's musically understandable, as opposed to requiring a part-background in electronic engineering to understand. Not that Strange doesn't go into the engineering concepts; he most certainly does, but everything here is treated in such a balanced, even manner that allows those interested in the musical concepts to have their desire for information satiated, and those looking for engineering concepts will find the book equally well-ordered. Useful both as a textbook and a reference document, the book also contains numerous illustrations and diagrams of modules by Moog, ARP, Buchla et al. I consider this to be an invaluable work for those exploring modular or most any other analog synthesis methods, and I also consider it nigh-criminal that such an important work should be allowed to go out of print. Someone should pick this back up and reissue it!

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Keyboard Musicianship: Piano For Adults Book Two Review

Keyboard Musicianship: Piano For Adults Book Two
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I have learned a few instruments over the years and looked at many books to try to learn piano. This is the only book I saw that gave me what I wnted, the ability to learn piano. It didn't give lots of nice little songs and other frily stuff. It got my chops up... got me running! You can play when you work with this book.

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Concepts, Techniques, and Models of Computer Programming Review

Concepts, Techniques, and Models of Computer Programming
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This book is a real mind-bender that illuminates paths for computer design at both the conceptual and practical levels I'd never travelled down before.
The notion that one language can be so flexible as to accomodate both the syntax and semantics of so many different computational models, or paradigms, took some unlearning of bad programming practice before its power, elegance and potential began to sink in.
It also explodes the myth that "pure" languages -- i.e., pure OO, or pure functional, etc., languages--have some kind of innate advantage over so-called "hybrid" languages. In fact, "hybrid" (or as the authors would prefer to call them, "multi-paradigm") languages come out of this book looking even more powerful than the "pure" ones, insofar as they allow the programmer to use the right model for each task, instead of trying to make OO fit, for instance, in places where it doesn't fit so well.
The idea here is that each computational model represents a completely different way of approaching a domain problem. Used by themselves, each has its niche. For instance, everybody knows OO is good for domain modelling and busines objects. Prolog-type languages are good for applications that need to apply rules over a set of data. Functional languages are great in mathematical applications. And so on. What is new here is that one can program in an environment in which all of these tools are available in a single core semantics that seamlessly weaves these computational models into a complementary whole. Used together judiciously, with an eye toward program correctness, they make things possible that have long been considered very hard -- for instance, constraint programming.
Mozart-Oz, the underlying technology, is a strange language when you first look at it. It's hard at first to get used to concepts like "higher-order programming" or "by need execution" or "lazy execution" if you are the programming grunt in the field of most modern IT shops, forced by bosses to code in your standard fare -- Java, C#, VB, etc. If OO in Java is like the hammer that makes everything look like a nail, in Mozart-Oz you have a language that is like walking into Ace hardware store, a swiss army knife of a language (conceptually speaking) that challenges you to become a highly skill code craftsman, not just a programmer.
But, if only for the personal growth you will experience grappling with the concepts in this book, I recommend it very highly even to "non academic" programmers (like myself) as well as to any advanced student of computer science. It may be painful, you may scratch your head in places where the concepts just seemed to leap over your cranium, but if you are patient, do the exercises (and at least think about what it would take to tackle some of the research projects), you will grow.
Unfortunately, you may find the languages you work on to be rather confining, and maybe even boring, after you get a whiff of what multi-paradigm programming can do. More likely, however, is that you will grasp very clearly how the language you code in today works, and that can only make you a better software engineer. So do it-buy this book!

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This innovative text presents computer programming as a unifieddiscipline in a way that is both practical and scientifically sound. The bookfocuses on techniques of lasting value and explains them precisely in terms of asimple abstract machine. The book presents all major programming paradigms in auniform framework that shows their deep relationships and how and where to use themtogether.After an introduction to programming concepts, the book presents bothwell-known and lesser-known computation models ("programming paradigms"). Each modelhas its own set of techniques and each is included on the basis of its usefulness inpractice. The general models include declarative programming, declarativeconcurrency, message-passing concurrency, explicit state, object-orientedprogramming, shared-state concurrency, and relational programming. Specializedmodels include graphical user interface programming, distributed programming, andconstraint programming. Each model is based on its kernel language -- a simple corelanguage that consists of a small number of programmer- significant elements. Thekernel languages are introduced progressively, adding concepts one by one, thusshowing the deep relationships between different models. The kernel languages aredefined precisely in terms of a simple abstract machine. Because a wide variety oflanguages and programming paradigms can be modeled by a small set of closely relatedkernel languages, this approach allows programmer and student to grasp theunderlying unity of programming. The book has many program fragments and exercises,all of which can be run on the Mozart Programming System, an Open Source softwarepackage that features an interactive incremental development environment.

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The Environmental Imagination: Technics and Poetics of the Architectural Environment Review

The Environmental Imagination: Technics and Poetics of the Architectural Environment
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College-level readers of architecture or environmental design will find this a fine history which uses themes and a chronological arrangement from the 18th century to modern times to survey the history of environmental design. While The Environmental Imagination: Technics and Poetics of the Architectural Environment could have also been featured in our Arts section, it's reviewed here for its wider applications to any college-level holding strong on poetics and environment: essays consider qualitative dimensions of the environment and both old and new technologies of mechanical services, building design choices, and diversity.


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This title, from a well-regarded and established expert, explores the changing relationship between the poetic intentions and technical means of environmental design in architecture. Working thematically and chronologically from the eighteenth century to the present day, these essays reach beyond the narrow conventional view of the purely technical to encompass the poetics of architecture, redefining the historiography of environmental design.Through an assessment of the works of several leading figures throughout the nineteenth and twentieth centuries, Hawkes deftly shows the growth of environmental awareness and adds a consideration of the qualitative dimension of the environment to the existing, primarily technological, narratives. Essays on earlier buildings highlight the response of pioneering architects to the ‘new' technologies of mechanical services and their influence on the form of buildings, while the late twentieth-century designis explored in particular depth to illustrate individual strands of the environmental diversity of modern practice.

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