TCC TC-750 BLACK Audiophile Phono Preamp, Pre-amp (Preamplifier) Review

TCC TC-750 BLACK Audiophile Phono Preamp, Pre-amp (Preamplifier)
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I have a fairly large collection of operas on LP's and had been having a friend transfer some of them to CD's. Unfortunately he seemed to have trouble keeping system noises, humming and buzzing, from entering the recordings so I decided to try for myself. I have an old Technics direct drive turntable equipped with a Stanton pickup. I read another review on the TC-750 which impressed me, so since this preamp was relatively inexpensive I decided to give it a try. It arrived shortly after ordering particularly for Hawaii, and I hooked the turntable up to the TC-750 and that in turn to a VCR which is plugged into the sound card of my computer. Using Nero software that came with a Sony DVD burner I captured several of the operas and burned them onto CD's. I cannot emphasis to much how elated I am with the sound. It is absolutely clean and smooth. The sound reproduction is perfect. I am totally estatic with the performance of the relatively inexpensive TC-750 phono preamp, and highly recommend it to anyone wanting to connect a magnet phono pickup to a standard audio imput.

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Yamaha CDC-697BL 5-Disc Carousel-Type CD Changer Review

Yamaha CDC-697BL 5-Disc Carousel-Type CD Changer
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I was surprised how little user information was available on the web about 5 disk carousel changers.
I tried several higher end players (including Rotel, Denon, Sony, Onkyo/Integra and Marantz*) but I couldn't get past the extremely long time it took to switch tracks between disks while in random/shuffle mode (15 to 20 seconds). The 17 year changer I was replacing could change tracks on different disks in 8 to 10 seconds (measured from the end of one song to the start of another on a different disk).
Yamaha got it right with the CDC-697. It matched the track change speed of my 17 year old changer. If you regularly listen to music in random/shuffle mode, this CD changer is the only one out there (in 2008) that can change tracks on different disks within a reasonable time (8-10 seconds vs 15-20 seconds). Nothing else I tried out there that could do that.
Yamaha also seems to have the best version of the disk exchange feature. All the players I tried allow you to change some of the disks while one disk is still playing but the Yamaha is the only one that lets you change 4 of the 5 disks (the fifth is still playing). The others only let you access 2 of the 5 disks to change.
I think Yamaha put more thought into the "changer" aspect of this model.
One other benefit is that the CDC-697 is one of the few CD changers that supports CD text.
I hope this helps others.
* I did not personally test the Marantz CC4001 but I was able to get someone on the DTVforum to check the timing for me.

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Yamaha 5-Disc Carousel-Type CD Charger offers uninterrupted enjoyment of high sound quality with superior digital performance and easy operation with CD-RW disc compatibility, RS-232C interface and CD Text Display. It gives you the benefit of extended playing time and direct selection from any of the five discs directly. An RS-232C interface is provided so the player can be controlled via computer in a custom installation.

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Audio-Technica ATH ANC23BK NoiseCancel Earphone BK Review

Audio-Technica ATH ANC23BK NoiseCancel Earphone BK
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Update 12/Dec/2010 - Still going strong after about 200K miles of travel :)
I bought these to use with my faithful iPod which is full of music extending from:
* House, Electro, Techno (minus, Trapez, Traum Records etc), requiring a decent and tight bass response and good crisp uppers for all those 808/909 kicks and bass lines and tight hi hats
* Classical to new and old Heavy Metal (Gustav Mahler to Iron Maiden :)
* Indie/rock/acoustic (e.g. The Eels, 1980's Ska bands, Punk)
* Abstract electronics (Venetian Snares, Luke Vibert, AFX, Mr 76 etc - lots of Warp records stuff)
I'm also a DJ and musician, so have experience with a wide variety of listening conditions, studio monitors, studio headphones, and my faithful Sony MDR-V700 cans when mixing vinyl techno/house. I'm also VERY careful with my ears and use custom fitted earpieces for sound management at gigs and shows.
I travel quite extensively so what I wanted was:
1. Earphones that are comfortable
2. Excellent noise suppression - block general noise - people coughing, babies crying, annoying people chatting whilst standing near your seat on the plane etc.
3. Excellent noise cancellation
4. Excellent dynamic range given the spectrum of my listening library
5. Not over the top pricing
6. Good enough to not need extra amplifier to get a decent dynamic range (like some of my Koss Studio Headphones)
7. No fatigue both physical and due to the characteristics of the drivers - too 'brittle' a high end and its over after 30 minutes - think cheap JBL monitors crushing the mids and highs into a distorted mush. I can't stand that. Since noise canceling is an acoustic process, it was important that this didn't mush up my choons :)
8. Sturdiness - nothing worse than a cable getting snared and having to "tie" it to get a proper contact. Nooooo !I've had quite a few different pairs of noise canceling phones in the past - the very early Philips over the ear ones (both two recent models which i was quite happy with) being the ones I'd settled on and used for about 5 years due to value and meeting most of the above. However, since one of my two pairs plastic broke - they were about 5 years old and used heavily, and I was not too happy about the need to drive them quite hard from my 80G 5G iPod to get a decent level which also meant that it introduced a bit of distortion - the iPod amp isnt actually that great by the way - I decided to look at some other options including Sennheiser top of the range, Bose QC range, the current Philips as well as Etymotic and Shure passive noise canceling. I was prepared to invest in something decent up to $400.
Anyhow, after much research and trying a few out my conclusions were:
* the Bose models were nice, but hugely over the top in price given their performance - especially whilst they did well in noise canceling, this appeared to be at the expense of phase alignment and actually changing the EQ spectrum quite vividly. Sounds were good but it sounded like a kind of flattening effect across the mids which for my music which in the main tends to be somewhat "V" in EQ was a bit odd sounding. I just felt given the price it should have been much better.
* Sennheiser - excellent all round but could not help feeling way too expensive (and a bit bulky)
* The Philips models were the same as my old ones - still perfectly serviceable but still a little lacking and needing driving a little hard - but can be had for pretty low dollars
* The Audio Technica just stood way above the rest on the price/sound quality/value/curve. The downsides are slight and similar to all the others anyhow: Yes, as with ANY noise canceling headphones since we are dealing with an acoustic process by which sound waves of any reasonable magnitude arriving at the earpiece in the range say up to 1500 Hz (aircraft engine noise, train noise, most conversations) are rapidly inverted and "played" into the earpiece at a level to actively cancel out anything arriving at your eardrum - more or less - there are bound to be acoustic artifacts and changes in EQ spectrum/Phase and so on.
However the AT's were much nicer in this regard. Couple this with the nice rubber noise isolation buds (use the largest you can to block noise and have them slot nicely into your ear canal), pressing the "NC on" button is pure bliss. One thing I did note- if you connect them to nothing and use them, you will "hear" the noise canceling process - but this is eliminated when the music is created or if you are in even a slightly noisy environment (e.g. bar, cafe, restaurant, shop).
So, I actually ended up buying both the in-ear buds listed here since they are so compact and hugely effective for creating my own silent or music filled world on trains and planes, as well as the AT over the ear ones - ATH ANC7's. The latter are very comfortable if a little compact over the ear and have excellent performance also - and nice cabling - removable cable and a nice case that also happens to fit my ipod inside too.
Paid $99 for the in ear via one of amazons sellers, and $127 for the over the ear ones. That's TWO pairs of really excellent headphones for less than the Bose or Sennheisers which were getting into la la land on price.
So, I can get close to my Studio and DJ can performance out of these and its made my ipod and other music listening experiences (eg. plane's movie system) really quite pleasurable. I can also use them to sleep on a noise plane or train - so effective you have to watch to make sure you don't miss announcements like your stops. If push came to shove, I reckon I could easily use the over the ears for a bit of impromptu DJ'ing if I had to - they are really great in this regard as they work perfectly without being powered - unlike some others. So, both be used when batteries are dead too.
Hope this helps - just a happy customer of these nice cans.
Mark


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Audio-Technica's ATH-ANC3 QuietPoint Active Noise-Cancelling In-Ear Headphones reduce distracting background noise by 85% while offering the superior sound that makes Audio-Technica a world-leading pro audio company. Engineered to create a comfortable listening environment in areas with high ambient noise, these in-ear headphones feature a miniature microphone in each earpiece that picks up ambient noise (such as traffic, air-handling systems, etc.). Electronics in the control box create a noise-cancelling wave that is 180 degrees out of phase with the ambient noise. This wave acts like a noise eraser: it cancels out the annoying sounds that surround you without diminishing the audio you want to hear. The result is a peaceful enclave to enjoy the music or movies of your choice. Wherever you happen to find yourself--on a busy subway, in a noisy office, or settling in for a long flight--there is no better way to experience audio or immerse yourself a quiet environment.

ATH-ANC3 Features
Ultra-compact in-ear design is ideal for travel
Advanced electronics cancel up to 85% (20 dB) of background noise
Innovative ANC circuitry delivers an exceptionally pure audio signal in noise-cancelling mode
Ideal for use with all audio sources, including MP3 & other portable players
Soft interchangeable ear pieces (small, medium & large) provide a custom fit
Monitor switch deactivates noise cancellation/audio so you can listen outside when you need to
Audio functions (in passive mode) even without battery
Sleek control box offers on/off and monitor switches and clothing clip
Two-pin airline adapter connects to in-flight entertainment
Hard carrying case protects headphones & accessories
Y cable includes an adjustable sleeve and extension for secure, comfortable fit
A single AAA battery powers noise-cancelling electronics
Gold-plated mini-plug provides exceptional corrosion resistance, superb conductivity and low noise

About Active Noise-Cancelling Headphones Audio-Technica's ATH-ANC3 QuietPoint in-ear headphones use active noise-cancelling technology to reduce distracting background noise by up to 85%, providing an exceptionally comfortable and restful listening environment in areas with high ambient noise. Active noise-cancelling headphones have components not present in ordinary headphones:
Microphone--Noise-cancelling headphones feature a miniature microphone in the earpiece that picks up ambient noise (such as traffic, air-handling systems, etc.)
Noise-canceling circuitry--Electronics in the ear piece create a noise-cancelling wave that is 180° out of phase with the ambient noise. This wave acts like a noise eraser: it cancels out the annoying sounds that surround you without diminishing the audio you want to hear. The result is a peaceful enclave to enjoy the music or movies of your choice.
Battery--The noise-cancelling electronics are battery-powered.

What's in the Box ATH-ANC3 Headphones (black), Detachable .5 m cable with gold-plated 3.5 mm (1/8-inch) stereo mini plug and jack, Gold-plated airline adapter, Protective carrying case, Replaceable rubber tips, Battery

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Audio-Technica ATHANC7 Noise-cancelling Headphones Review

Audio-Technica ATHANC7 Noise-cancelling Headphones
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As everybody I'm sure, I debated between these and the Bose Quiet comforts. I have listened to all 3 and I myself like the over the ear better first of all, so the QC 3 were out ( and they pretty much compare evenly with the QC2 ). Now for the review of this product versus the QC2, my two remaining choices.
QC 2 - Excellent noise canceling, overall excellent balance in music tone. Good Highs, Good Mid-range but EXCELLENT bass. Downside is 300 dollars and very flimsy (cheaply made)
ATH-ANC7 -
1.SUPERB Noise canceling: Plane: W/O music - everything is muffled as if you were in a room by yourself but you could hear people outside the door. With Music: I had trouble hearing ANY Noise outside the music, It was almost completely silent...I could turn my Ipod down to around 25% of max volume and could hear every instrument and then some. These are BETTER than Bose as far as Noise canceling.
2. The High and Mid-range on these things are some of the best I've heard, and I am now comparing with the Bose as well as some Grado's. These demolish Bose in that area, you almost can FEEL the snare drums and the breath of the singer...honestly.
3. Bass - This is kind of the downside. The bass is there, but definitely is not as apparent as with the Bose. It has a nice muffled thumping sound, but is kind of back shadowed by the highs, but after adjusting the EQ you could hear it more, and it was fairly decent with no distortion. There was,however, some distortion with the very deep punchy bass on some songs, which is kind of annoying. You can't hear it that much enough to mess with the song, but it is there sometimes, I'm trying to guess whether it is my headphones or it just does this, but all in all the bass is a 5.5/10.
4. Comfort - Excellent comfort, more so than the QC 2. Has a more padded cushion, and it fits nicely over my ears.
5. Construction - Doesn't feel as flimsy as the QC 2's, and has a nice solid feel.
+++ Added Bonus - The Noise Canceling option runs off of AAA batteries ( one to be exact ) versus charging with the QC3s. This is SOOO much easier than charging, and the battery lasts for around 40 hours. I absolutely love this feature.
All in all I think you know which one i recommend. I bought these new for half the price of Bose, and I can't tell you enough how much these are actually better than the Bose. You will be saving money and getting better features along with it. If it sounds to good to be true - it isn't. I am the first reviewer of these and I went out on a limb buying these, now I come to you to let you know that you don't have ONE choice when it comes to noise canceling headphones. So I thank you for reading my review, and happy listening!

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Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic Review

Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic
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Let's face it...I'm just a hobby musician. A guy in his mid-30's who has tinkered with music most of his adult life. I've played both as a solo artist and with bands. I've also been fortunate enough to spend time in actual recording studios with true professionals. None of this qualifies me as an expert...but I do have a certain level of familiarity on the subject.
I purchased this mic to supplement my home studio. I was hoping to get a little better sound than my usual stable of dynamic mics provide. I think I got pretty lucky with this purchase - it's my understanding that in this particular price range, you shouldn't expect a whole lot. I mean, it's just a microphone, right?
What I will say is that I was certainly satisfied with my purchase. I've used this microphone in conjunction with a tube preamp on a handful of recordings with great success. I bought this with the intention of using it for vocals, but I've found that I actually prefer it to record my acoustic guitar - this microphone picks up all the sound that I'm looking for from my acoustic - it's the nice, mellow, and full bodied sound that I hear when I'm playing, but that I was never able to capture before. In terms of its originally intended use, I felt is was only a slight improvement over the SM58 that I typically used for vocals - however, I wouldn't put too much stock into my assessment, as vocals are not one of my strengths when it comes to music (let's face it, autotune was created for a reason, right?)
Granted - everyone is going to have different opinions of this product, and I happen to think it works great for those of us on a budget. In terms of value - it is a great product for a fantastic price. I liked this microphone so much, I plan on buying at least one more.



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The price/performance standard in side-address studio condenser microphone technology, Audio Technica's AT2020 studio mic has a low-mass diaphragm that is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high sound pressure levels (SPLs) with ease.
Ideal for project/home-studio applications, the cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. The pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
The AT2020 is intended for use in applications where remote power is available. It requires 48V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel and CP8506 four-channel phantom power supplies.
Specifications
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 20-20,000 Hz
Open Circuit Sensitivity: –37 dB (14.1 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D.
Noise: 20 dB SPL
Dynamic Range (typical): 124 dB, 1 kHz at Max SPL
Signal-To-Noise Ratio: 74 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 48V DC, 2 mA typical
Weight: 12.1 ounces
Dimensions: 6.38 inches long, 2.05-inch maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories Includes: Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
Audio-Technica Case Style: R7


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PRB FRX23.6 Turntable Belt 23.6 Inch Circumference Review

PRB FRX23.6 Turntable Belt 23.6 Inch Circumference
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Installed this belt in my PL-A35, and it appears to do just the trick. Speed is steady and correct. No complaints.

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Audio Technica AT3482P P-Mount Magnetic Cartridge Review

Audio Technica AT3482P P-Mount Magnetic Cartridge
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It's not that the compact disc cannot show its superiority at times under the right conditions but as usual the industry has reached a point whereas to sacrifice true dynamics for the sake of mass production. Did this not also occur during the glory days of analog vinyl reproduction? Still the big full artwork of the analog record cover may be reason enough for one to get bit {so to speak} by this very nostalgic analog bug as I and many others have recently! Besides...records...or vinyl if you will...are alot more interesting...are they not?
And what about those of you still fortunate enough to own one of the great {OK sometimes not so great} Technics and Pioneer P-Mount turntables like myself. As you pull your new found treasure from that dusty musty ole cellar box...you notice that the stylus {needle} ain't lookin' too great. The cantilever is rusted or the stylus is bent. So now what are you going to do?
You're probably gonna look for an o.e.m. replacement stylus/needle on line. Don't bother! Yes...it might be out there but probably will cost more than the fine product up for review here. Besides...one of the features of a T4P/P-Mount system is the fact that the cartridge can easily be pulled out after removing the side screw. Instead of replacing the needle...you can simply opt to {at low cost} replace the whole kit-'n-kabootle!
Of course there are limited pickins for P-Mounters these days and really only one that actuallly performs well. Enter the A-T 3482P cartridge with uniradial or conical stylus shape. The cartridge itself is downright sexy looking with its high glossy piano black finish and white lettering stamped on top. This is no run-in-the-mill A-T!
Audio-technica also offers a similarly priced, specified and constructed white model with bonded .7 mil stylus that is interchangeable with the introduction of its A-T 90CD but there are significant differences! One being the 3.5 mv output of the A-T 90 as opposed to the higher 5.0 mv output of the A-T 3482. The other is more significant but perhaps so easily overlooked.
The cantilever of the A-T 90CD is a thin alloy hollow tube that is so commonly found on numerous models from not only audio-technica but from Shure and others in this price range. Unfortunately...at least in their P-Mount form...they all stink! The cantilever of the 3482 however is a dark-colored light rigid skip-resisting carbon fiber type and it sounds good...very good...and sweet!
It also holds the groove better than any of the others. Some of the others don't perform as well at the 1.25 gram factory preset of most P-Mount tonearms because they are designed to operate ideally at higher forces. The 3482P is designed for optimum tracking at the factory settings of P-Mount tables.
Bass with the A-T 3482 in place is well-defined, strong and powerful without being overdone. Stereo separation, mids, highs and imaging are all superb! Sibilance also is handled well by this cart although not quit equal to the best standard mounts. At least you won't want to take cover everytime your favorite artist splatters that S-SSS-SSSSound!
Since using the A-T 3482P with my new TC-160LC Phono Preamp...the news gets even better! Guitar pickin' has really become something special and I am appreciating the subtlety aspect of this nice cartridge even more. For you old timers...like myself...remember when you owned your first Dual turntable way back when and for an extra twenty bucks you received that great Shure Hi-Track M91E??? Remember when once aligned properly with Dual's little plastic protractor...how great transients sounded...and how clean...Clean...C-L-E-A-N those Jethro Tull, Pink Floyd, 4 Seasons, Neil Young, Beatles and Joni Mitchell LP's sounded???
Well...this is precisely what I'm getting with the A-T 3482P/Technics SL-D30/TCC TC-160LC combo...only better! By comparison and just for the hell of it...I recently substituted the A-T 3482P with the company's slightly higher priced A-T 92ECD model which features an aluminum cantilever with .003 x .007 elliptical stone. Remembering how well the A-T/Signets with a similar stylus shape sounded back in the day...I expected much more than what I received from this cart.
I found myself immediately yanking the 92ECD out of the Technics tonearm while putting the 3482 back in its place. Whew!...I was just happy to have that CARBON FIBER CANTILEVER BACK AT THE HELM AGAIN.
The 3482 has a nice way of staying detailed and dynamic even on inner passages but it must be said that the Shure M97xE does perform slightly better in this regard. The M97xE is also two to three times the price of the A-T 3482. Funny how I find myself listening to the Technics/A-T rig quite a bit lately. Man...THAT GE-EEE-TAR P-I-C-K-I-N'!!!!
So...ole timers...here you go...here is your modern day Shure M91E bargain...at least in P-Mount form. It outperforms all other P-Mount designs past and present...PeterSince using the A-T 3482P with my new TC-160LC Phono Preamp...the news gets even better! Guitar pickin' has really become something special and I am appreciating the subtlety aspect of this nice cartridge even more. For you old timers...like myself...remember when you owned your first Dual turntable way back when and for an extra twenty bucks you received that great Shure Hi-Track M91E??? Remember when once aligned properly with Dual's little plastic protractor...how great transients sounded...and how clean...Clean...C-L-E-A-N those Jethro Tull, Pink Floyd, 4 Seasons, Neil Young, Beatles and Joni Mitchell LP's sounded???
Well...this is precisely what I'm getting with the A-T 3482P/Technics SL-D30/TCC TC-160LC combo. By comparison and just for the hell of it...I recently substituted the A-T 3482P with the company's slightly higher priced A-T 92ECD model which features an aluminum cantilever with .003 x .007 elliptical stone. Remembering how well the A-T/Signets with a similar stylus shape sounded back in the day...I expected much more than what I received from this cart.
I found myself immediately yanking the 92ECD out of the Technics tonearm while putting the 3482 back in its place. Whew!...I was just happy to have that CARBON FIBER CANTILEVER BACK AT THE HELM AGAIN.
The 3482 has a nice way of staying detailed and dynamic even on inner passages but it must be said that the Shure M97xE does perform slightly better in this regard. The M97xE is also two to three times the price of the A-T 3482. Funny how I find myself listening to the Technics/A-T rig quite a bit lately. Man...THAT GE-EEE-TAR P-I-C-K-I-N'!!!!
So...ole timers...here you go...here is your modern day Shure M91E bargain...at least in P-Mount form...Peter

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