PMC Decade Review

PMC Decade
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PMC Decade is a gorgeous volume that is required reading not only for metal clay artists but also for anyone interested in contemporary art and design.
There is no one better qualified or more appropriate to bring us this outstanding review of "The First Ten Years of Precious Metal Clay" than world-renowned metalsmith, teacher, author, jeweler and acknowledged PMC guru Tim McCreight. His prefatory remarks provide a personal look back at PMC's birth in Japan and its subsequent introduction into the United States - a process in which he played a leading role. The essay by world-class metalsmith and jewelry artist Donald Friedlich on the "Progress and Potential" of PMC is an insightful and thought-provoking exploration, not just of this medium but of art and artists' use of their media in general. And physicist Darnall Burks' explanation of "The Science of PMC," accompanied by Tina Carvalho's amazing electron microscope images of sintered PMC, breaks down the physics into simple language that all of us can understand.
But the main focus of the book is the chapter titled simply, "The Decade," which presents more than 200 pages of some of the most remarkable and ground-breaking PMC work from the past ten years. McCreight has selected a wide variety of impressive artists and striking art to represent the period, and while not all of them will appeal to every reader, it is obvious why each artist and piece was chosen for inclusion. And many of the pieces are absolutely breathtaking!
One of the most valuable features of the book is the layout of the gallery pages. Each high-quality photo is large and occupies its own page, allowing us to focus all our attention on one piece at a time and to examine all the astonishing detail inherent in each of the featured designs.
The book ends with a chronology of key historical events along with a helpful list of publications from the period.
This is a seminal work by this country's leading advocate and authority on Precious Metal Clay. It's beautiful enough to be considered a "coffee table book," but it's much richer and more valuable than mere "eye candy." I know I will turn to it again and again, both for inspiration and for the pure pleasure of appreciating the extraordinary art captured in its pages.
I highly recommend adding this satisfying and important volume to your library.

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It has been ten years since Precious Metal Clay was introduced in the United States, and it is time to see what artists have done with this fascinating material. This book gathers for the first time work made by leaders in the field. A critical essay by noted designer Donald Friedlich and a technical explanation from scientist Darnall Burks make this a landmark volume for artists and collectors.

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